From 1980 comes this lovely prog inspired album from Pierpaolo Bibbo. "Diapason" was a very good and unique symphonic album during a period that was considered less than stellar among most progressive rock fans. It was recorded during 1979 and released on La Strega Records in 1980. Bibbo composed everything and co-produced the album with Marcello Mazzella. He played guitars and bass, handled vocals, and played synths showing a high level of all-around competence. Other musicians provided additional keyboards, drums, violin, and flute giving the album a reasonable "band" feel. Like other symphonic releases of this period "Diapason" doesn't outwardly break a lot of new ground but Bibbo's unique talents and interesting approach give this work a fresh feel…
This is the eight volume of a new series launched by Diapason. 12 CDs in 1 box containing beautiful Schubert piano music.
In the early 1960s, Martha Argerich was only twenty years old, but an already busy career. So full that the miracle from Argentina feels the need to take a break and recharge (rebuild) after such a whirlwind. "The young Argerich" that we invite you to find here is the one before this first silence, before her resounding victory at the Concours Chopin 1965.
Fortunately, the microphones accompanied him for a long time already. Our journey begins in 1955: shortly before flying to Vienna to follow the teaching of Friedrich Gulda, a thirteen-year-old Argerich descends the arpeggios of Etude op. 10 No.1 by Chopin with crazy insolence and aplomb. A few years later, it is with this same introduction that she will scotch the Warsaw jury.
Incredibly the Bassoon Concerto was written when Mozart was only eighteen. By this stage in his life he had already written about thirty symphonies, a dozen string quartets and several Italian operas. The Flute Concerto is notable for the fact that Mozart did not like the flute as an instrument, famously stating 'whenever I have to write music for an instrument I dislike, I immediately lose interest'. In 1791, the last year of his life, Mozart wrote the Clarinet Concerto. Interestingly the Clarinet Concerto was not composed for a standard clarinet in A but for an instrument the court clarinettist Anton Stadler had developed which extended the instrument's lower range by four notes.