Did You Know That

Stretch were a 1970s British rock band that grew from the collaboration between Elmer Gantry (real name Dave Terry) and Kirby (real name Graham Gregory). Gantry had been the frontman of Elmer Gantry's Velvet Opera. Kirby had been a member of Curved Air. The band was put together in 1974 with help from Fleetwood Mac manager Clifford Davis and drummer Mick Fleetwood, to perform as Fleetwood Mac on a US tour because the existing Fleetwood Mac were not in a position to fulfil outstanding contractual obligations. However, Fleetwood did not join the tour as planned, and later denied any knowledge or involvement, and partway through the tour it became obvious to audiences that there was no original member of Fleetwood Mac in the band, and the tour collapsed. Bass player Paul Martinez claimed, "Mick Fleetwood pulled out at the last minute claiming not to know who we were!"

is a 1983 romantic comedy film starring and . The original music score was composed by . Five years after the smash-hit musical of Grease, Olivia and John Travolta teamed up again to make Two Of a Kind. The two had being looking for a script to do together for a year and with over 30 studied, it seemed their film together would never be made. Either one of them liked the plot but the other didn't or vice versa. However, when John read the script to Two Of A Kind he called up Olivia and said 'If you don't like this one, I don't think we'll ever find another movie to do together.' Olivia did, so Two Of A Kind was born.

Various Artists - The Rubble Collection, Volumes 11-20 (2007) {10 CD Box Set - Fallout FALLBOX002 rec 1960s-1970s}
EAC rip (secure mode) | FLAC (tracks)+CUE+LOG -> 3.09 Gb | MP3 @320 -> 1.24 Gb
Full Artwork @ 300 dpi (png) -> 436 Mb | 5% repair rar
© 1960s-70s, 2007 Fallout | FALLBOX002
Rock / Psychedelic Rock / Acid Rock / Freakbeat / Garage Rock / Mod

The second box in as many years of a truckload of obscure British psychedelia. Here are ten more CDs' worth of serious rarities by some bands that barely scratched the surface of the British freakbeat scene during rock's golden era, and a few who went on to other things. In all, there are 128 cuts here, all compiled and annotated by Phil Smee – of Perfumed Garden fame (also issued by Past And Present). While some of these acts, such as the Poets, the Human Instinct, Outer Limits, and Denny Laine left marks on the scene, as did mod bands such as les Fleur De Lys and the Buzz; many others came from the swamp and returned with only these few minutes of glory for all of their efforts.

Between 1968 and 1974, amateur songwriters, musicians and home taping enthusiasts Peter Howell and John Ferdinando - aka H & F Recordings - retreated to their makeshift home studio in East Sussex to mastermind a series of privately-issued albums that were attributed to semi-fictitious groups such as Ithaca and Agincourt. Only pressed in double-digit quantities, those albums are now amongst the most valuable vinyl artefacts of the era, with copies selling for upwards of £2,000 on the extremely rare occasions that they surface. A Game For All Who Know: The H & F Recordings Box gathers together all four albums and adds an unreleased-at-the-time fifth, the Friends LP Fragile, which was abandoned at acetate stage after Howell accepted an invitation in 1974 to join the BBC Radiophonic Workshop on a full-time basis. The first four albums are presented in miniature card sleeve replicas of the original vinyl artwork, while the Friends album recreates the duo's original plans for the artwork had the LP reached pressing stage.

From the area around Memphis comes the black and blind musicians Morris Cummings, who here - accompanied by a loud and gruff therefore coming white band - his debut submit. The whole thing sounds a bit strange, since both his singing style and his Harptechnik are quite rudimentary. Not bad / debut from the blind singer and harp player with did rough voice and simple, powerful harmonica style. He's backed by a pretty good, loud and rough playin 'ribbon.

This box collects several recordings of Satie's piano music by Dutch pianist Reinbert de Leeuw, going back as far as 1977, with an English-language DVD (not reviewed, but the idea is attractive) including a fictionalized presentation of Satie's relationship with artist Suzanne Valadon (after they broke up, he hung in his window cataloging her faults, but the film apparently doesn't get to the fun stuff). The provenance of the music on the third CD, consisting mostly of songs and featuring soprano Marjanne Kweksilber, is unclear from the booklet, and it's a poor choice for the non-Francophone – no song texts are provided at all. The piano music from de Leeuw is another matter, however. It is immediately distinctive in its slow tempos and dreamy, rather lugubrious tone.