Dies Irae

Originally composed for the funeral of the dauphine, Princess Marie-Anne-Christine-Victoire of Bavaria, on May 1, 1690, this remarkable setting of Dies irae was revised in 1711, either because of the dauphin's death, or that of Lalande's two daughters, both distinguished sopranos ; all died from smallpox within a period of six weeks. Lully's setting of Dies irae, for the death of the queen in 1683, had shown the possibilities of this text as a grand motet for soloists, choirs and orchestra. But it was Lalande, seven years later, who developed the concept, and produced a much more striking result - perhaps the first setting of Dies irae in the history of music where the composer exploited in such dramatic style the contrasts inherent in the 18 rhyming stanzas and final couplet of this 13th-century poem.

The notion of interpretation constantly raises the question of how to read a score, and therefore of the very subject matter of the score. Particularly in the Baroque period, and especially in the seventeenth-century, the score is but an infrastructure that the composer leaves behind to allow his work to be brought to life. One should not be led astray by it as you might by a trompel'œil; it lacks a great deal of information: nuances, instrumentation, ornaments, playing styles, etc. The majority of these composers thus leave the performers a great deal of latitude for the completion of their scores in order to bring them to back to life.

‘Militant : Penitent : Triumphant’ was a rather impressive record, released by the Swedish one-man act Faidra in late 2023. Basing its atmospheric Black Metal on a straightforward but oh so effective midtempo mixture of captivating tremolo riffs and accentuating keys, the album managed to impress with its subtle simplicity and glorious atmosphere. That album is now followed up in early 2025 by the EP ‘Dies Irae’, the band’s latest output on Northern Silence Productions.
‘Dies Irae’ contains three tracks, and combines songs from several phases of the band. Starting off is ‘Dies Irae’, a new song recorded for the purpose of this EP. With clean folk based choirs introducing and ending the song, the Folky slant of Faidra is prominently present…

Despite all the differences in the musical language of the works by the Polish composers Karol Szymanowski and Krzysztof Penderecki included on this recording, they are united by their quality as a lament: Szymanowski's Stabat mater, completed in 1926 and based on a Polish translation rather than the original Latin text of the medieval poem, is still considered one of the most important contributions to 20th-century music.