A House of Call is a cycle of invocations, prayers, poems and songs for large orchestra. It incorporates recordings of sounds and voices from all over the world collected by Heiner Goebbels during his travels, research, and chance encounters. The cycle is a response to the history of these recordings and to their complexity, rawness and radiance. In this secular “responsorium”, the orchestra accompanies and supports the voices, answers and challenges them.
“I want it to feel like the past, the present and the future, all at the same time” Erlend Apneseth. Hardanger-fiddler, composer and bandleader Erlend Apneseth follows up the acclaimed 2019 Hubro release, ‘Salika, Molika’ – a game-changing folk-meets-experimental-sound project where Apneseth’s regular trio was augmented by the addition of star accordionist Frode Haltli – with the richly collaborative ‘Fragmentarium.
With playful and creative interaction and exceptional chemistry, Mari Kvien Brunvoll, Stein Urheim, and Moskus take another step into uncharted musical territory. The result is the album Barefoot in Bryophyte.
With playful and creative interaction and exceptional chemistry, Mari Kvien Brunvoll, Stein Urheim, and Moskus take another step into uncharted musical territory. The result is the album Barefoot in Bryophyte.
Things are looking up for Bergen-based Stein Urheim, a musician who, on the basis of Stein Urheim—his second release on Hubro after the vinyl/download-only Kosmolodi (2012) and third as a leader following his 2009 debut, Three Sets of Music—seems interested in just about anything with strings…and a few without…
I was refreshingly suprised the first time I heard this album. I had been bored with most of my music collection when I stumbled upon this "nugget of pure gold". What's even more exciting is when you find out more about the man himself. Gil Melle is a true original, still going strong. His art will surely last the test of time. I write this based on my somewhat worn vinyl copy of "Primitive Modern". I found it in a thrift store for 50 cents and have thanked the powers that be every day that I had such luck. As the quote above indicates, Gil Melle and his outfit were serious about rhythm and doing interesting things with rhythm. Listen, for instance, to "Ironworks."