Diffusion 2020

This book gathers papers presented at the Workshop on Computational Diffusion MRI, CDMRI 2020, held under the auspices of the International Conference on Medical Image Computing and Computer-Assisted Intervention (MICCAI), which took place virtually on October 8th, 2020, having originally been planned to take place in Lima, Peru.

This book gathers papers presented at the Workshop on Computational Diffusion MRI, CDMRI 2020, held under the auspices of the International Conference on Medical Image Computing and Computer-Assisted Intervention (MICCAI), which took place virtually on October 8th, 2020, having originally been planned to take place in Lima, Peru.

This volume gathers papers presented at the Workshop on Computational Diffusion MRI (CDMRI 2019), held under the auspices of the International Conference on Medical Image Computing and Computer Assisted Intervention (MICCAI), which took place in Shenzhen, China on October 17, 2019.

This volume goal is to demonstrate that the Diffusion Hydrodynamic Model (DHM), which was developed in an age preceding computer graphics/visualization tools, is as robust as any of the popular models that are currently used.

Violostries (1963/64), 16'39. Premiered and recorded in April 1965 at the Royan Festival - France, by Devy Erlih (violin) & Bernard Parmegiani (sound projection). Violostries represents the intersection of several musical research directions, presented as two simultaneous dialogues - composer/performer and instrument/orchestra.

This proceedings book contains 21 articles that arouse the greatest interest among experts from academia, industry and scientific experts in the area of the structural transformation of industrial and economic systems on a new technological base.

For the artist the consummation of a dream, of his eagerness, of his creativity is his ultimate goal, the fruit of his sleeplessness, the concretion of a work of art. Just as a painter gives the last brushstroke, or a novelist closes his winding journey with the final word, the musician leaves the recording studio with the feeling of having left something more than between the soundproof walls and the intangible depth of the register his life, much more than his soul, a vast and subtle accumulation of sensations, experiences, dreams and desires … and although later life continues its unfailing and complex course, something has happened in that trance, a primordial change, inescapable and irreversible both for the creator as for who their recipients are, be they readers, observers or listeners.