Dionysos la Naissance de Jack

Louis Vierne - La Musique de Chambre Intégrale - The Chamber Music Complete Recording (1993) {2CD Set Timpani 2C2019}
EAC rip (secure mode) | FLAC (tracks)+CUE+LOG -> 597 Mb | MP3 @320 -> 370 Mb
Full Artwork @ 300 dpi (png) -> 78 Mb | 5% repair rar
© 1993 Timpani | 2C2019
Classical / Chamber Music / Early 20th Century / Post-Romantic

Born blind, Vierne partially regained sight at age six. Obvious talent was rewarded with piano and solfège studies, to which were added harmony, violin, and a general course when he entered the Institution National des Jeunes Aveugles in Paris in 1880. There he was befriended by César Franck who, from 1886, gave him private tuition in harmony while including Vierne in his organ class at the Paris Conservatoire. The lessons of the master were not lost on him – Franck possessed perhaps the richest harmonic palette in Western music and Vierne effortlessly absorbed many of its features. Vierne entered the Conservatoire as a full-time student in 1890. Franck died in November, succeeded by Charles-Marie Widor as professor of organ.

Sigismondo d’India, actif à Parme, Turin et Modène, fut un compositeur d’une grande originalité qui suivit partiellement et à sa manière propre la révolution monteverdienne mais aussi le sillage du chromatisme particulier des ferrarais et de Gesualdo sans côté tourmenté de ce dernier. Il apparaît comme un de ses rares successeurs.

The music of Spain has exercised an exotic fascination, but often in forms adapted by foreign composers. Manuel de Falla is representative of a group of Spanish composers who won international recognition. He was born in 1876 in Cádiz, where he first studied, moving later to Madrid and then to Paris, returning to Madrid when war broke out in 1914. Strongly influenced by the traditional Andalusian cante jondo, he settled in Granada, where his friends included the poet Federico García Lorca.

Here is a very special recording devoted to early 18th-century dance music for which we have recently rediscovered choreographies from the period. Such a discovery may well come as a surprise, since it is not generally realised that, long before the proliferation of various 20th-century systems of dance notation, an earlied system had already been invented and them forgotten, only to be rediscovered within the last few years.

“La vie de star” is an album written and composed by Hanaa Ouassim. Sung entirely in Darija (the Moroccan dialect), the record gives pride of place to pop, raï, and electronic inspirations, with a constantly transformed folk music in the background. Her songs talk about the price of freedom, the big departure, the coast, and escaping one's destiny. She was the opening act for the creation of the Transmusicales de Rennes and played as the opening act for Flavien Berger and Zaho de Sagazan.