Djadja & Dinaz Chacun Son Sort

2020 was not quite what Jay Farrar was expecting for the 25th anniversary of Son Volt, the band he started in 1995 after leaving the seminal group Uncle Tupelo, whose No Depression album helped define the alt-country and Americana genre. The group had just finished an Outlaw Country Cruise when the pandemic hit and sent them into their homes on lockdown.

Revered band Son Volt pay homage to the legendary Doug Sahm on the new album Day Of The Doug. Son Volt founder Jay Farrar’s goal with this 12-song collection was not only to pay tribute to Sahm’s music and influence, but to also highlight some of the deeper tracks in his heralded canon, specifically from a prolific period during the late 1960s through the 1970s. It’s a celebration of a songwriter and performer whose work forged country, Tex-Mex, rock, rhythm and blues, folk, and psychedelia into an utterly unique American sound.

An album with a remarkable journey through music from Latin America and the Caribbean plus Mexico’s son jarocho, it’s a collaboration among multi GRAMMY® winners Arturo O’Farrill and the Afro Latin Jazz Orchestra, together with featured guests: the Conga Patria Collective, that includes Patricio Hidalgo, Ramón Gutiérrez Hernández, Tacho Utrera, Wendy Cao Romero, Fernando Guadarrama, and Jorge Francisco Castillo (founder, Fandango Fronterizo).

One of Son Seals's finest collections, studded with vicious performances ranging from covers of Eddie Vinson's "Person to Person" and Little Sonny's "Going Home (Where Women Got Meat on Their Bones)" to his own "Can't Stand to See Her Cry" and swaggering "Cold Blood." Top-drawer Windy City studio musicians lay down skin-tight grooves throughout.

The grotesque cover illustration is an abomination, but the contents are right in the growling grizzly bear style that we've come to expect. Only four Seals-penned originals, but the R&B-laced "Life Is Hard" and "I'm Gonna Take It All Back" are quality efforts. So is his heartfelt tribute to Hound Dog Taylor, "Sadie".

Son Seals 1991 Alligator release "Living In The Danger Zone" is arguably one of Seal's finest studio releases to date. His best live performances being "Live and Burning" and "Spontaneous Combustion". Like the live disc's, Danger Zone features and abundance of gritty vocals and piercing guitar solo's in the style of Albert King. The songs on the disc range from the humorous "Frigidaire Woman" to the slow blues number "Danger Zone" to the funky "Bad Axe" to a ballad like "My Life". Seal's is a natural for the blues. He was born in Osceola Arkansas and, as a child, spent much of his time in his dad's juke joint surrounded by the likes of Albert King, Sonny Boy Williamson and Robert Nighthawk. About four years after recording this CD his wife shot him in the face. He would survive that trauma only to later have his leg amputated due to complications from diabetes. As the saying goes, you got to live the blues to play the blues.

Son Seals is a very powerful performer. While his vocals are full of passion, it is Seals' explosive guitar solos (egged on by a driving rhythm section along with two fine horn players who have some solo spots) that are most notable. Recorded live at Buddy Guy's Legends in Chicago, Seals' interpretations of these spirited blues would certainly please the club owner. This enthusiastic set serves as a perfect introduction to the accessible and memorable blues of Son Seals.