Django Reinhardt is exclusively a sideman in this compilation of recordings made with various French bands and singers during the 1930s. The instrumental tracks are okay, especially those with violinist Michel Warlop's orchestra, even if Warlop is no match for Stéphane Grappelli. The final two instrumental tracks by Wal-Berg & Son are a mystery, as Django is not among the credited musicians. The vocal tracks are another matter. Nina Rette's vocals, dominated by her bird-like vibrato, mar her work with Reinhardt and Grappelli. Reinhardt isn't even listed in the session by singer Andre Pasdoc (if he isn't present, why is it included?); no matter, as this pair of songs deserve to remain obscure. No better are the tracks by long forgotten singers Yvonne Louis or Micheline Day…
There is something carefree and joyful about the music of Django Reinhardt; something that comes bubbling to the surface every time he begins a wild run of notes on his acoustic guitar. Of course the swinging style of Stephane Grappelli's violin doesn't hurt. Nor do great songs like "Tea for Two," "My Melancholy Baby," and "Jeepers Creepers." Swing 39 captures 17 tracks by the Quintet of the Hot Club of France, including a number of alternate versions, on the eve of Grappelli leaving the group (because of the war). Two bouncy versions of "Jeepers Creepers" start things off, and while the pacing of both cuts is similar, each guitar solo is fresh and fundamentally different. Reinhardt creates endless variety through his ability to solo with chords or single notes, bend strings, and constantly alter the tempo…