Don Boyer

Cappella Records proudly announces the two-disc release of Heaven and Earth, performed by Cappella Romana with 45th Parallel Universe, directed by John Michael Boyer.

This album presents eight of the most recent works by Peter Boyer, one of the leading American orchestral composers of his generation. Balance of Power was commissioned for the 95th birthday of former US Secretary of State Henry Kissinger, while Fanfare for Tomorrow was composed for the inauguration of President Joe Biden in 2021. Each of these pieces displays Boyer’s vivid soundscapes and tuneful American sensibilities, from the cinematic sweep of Rolling River to Radiance, composed especially for this album. Boyer’s GRAMMY-nominated Ellis Island: The Dream of America (8.559246) has received over 250 performances and was televised by PBS.

Là où il y a des hommes, il y a des dieux, des ancêtres, des esprits, des sorciers et des démons. Pourquoi ?Dans cet ouvrage novateur, Pascal Boyer résout l'énigme en l'abordant sous trois angles différents. D'abord, les résultats de l'ethnographie moderne démontrent l'étonnante diversité des religions humaines mais aussi l'existence, sous ce foisonnement, de thèmes récurrents, de caractéristiques universelles. …

Pourquoi existe-t-il des religions dans le monde ? Ont-elles une origine commune ? Pourquoi les gens sont-ils croyants ? Nous sommes ici face aux interrogations les plus fondamentales, les plus intemporelles et peut-être les plus cruciales pour l'avenir des hommes sur la terre. …

Garou-Garou le passe-muraille - by Jean Boyer (1951)

Léon, a humble civil servant, has the unusual ability to walk through walls, however thick they are. One day, he falls madly in love with a charming hotel thief by the name of Suzan. In order to impress her he poses as Garou-Garou, a dangerous gangster. Mistaken for him, he is arrested and sent to jail but he, of course, leaves his cell(and comes back to it) just as he likes, infuriating the prison warden. But, despite this wonderful gift, he remains shy in the presence of Suzan…

The short lived New England originally formed around the Boston area in the late 1970s, featuring John Fannon on guitar and lead vocals, Jimmy Waldo on keyboards, Hirsh Gardner on drums and Gary Shea on bass guitar. After being discovered by famed KISS manager Bill Aucoin, their self-titled debut was issued by Infinity Records in 1979, and produced by KISS’s Paul Stanley, produced along with famed Queen, Asia and Journey producer Mike Stone. The tracks ‘Hello, Hello, Hello’ (UK No. 69) and ‘Don’t Ever Wanna Lose Ya’ (US No. 40) began to pick up plenty of airplay on AOR radio in the States as the band headed out on a major arena tour opening for KISS. Switching to Elektra Records, New England followed their debut in 1980 with “Explorer Suite”, this time co-produced by Mike Stone with singer and principle songwriter, John Fannon. The title track, plus ‘Livin’ In The Eighties’ were released as singles, but didn’t quite manage to capitalise on the airplay from the first LP. “Walking Wild”, their third and final album, also for Elektra, was released in 1981 and produced by Todd Rundgren. With ‘Don’t Ever Let Me Go’, ‘DDT’ and ‘Get It Up’ released as singles, the album had a more harder rocking approach, but unfortunately the band split up shortly after its release, in 1982.

The Nat King Cole Trio - The MacGregor Years, 1941-1945 (1995) {4CD Set Music and Arts PoA, CD-911}
EAC rip (secure mode) | FLAC (tracks)+CUE+LOG -> 611 Mb | MP3 @320 -> 668 Mb
Full Artwork @ 300 dpi (jpg) -> 48 Mb | 5% repair rar
© 1941-45, 1995 Music and Arts PoA | CD-911
Jazz / Swing / Vocal Jazz / Jump Blues / Traditional Pop

On this four-CD set are included the bulk of Nat King Cole's radio transcriptions of 1941 and 1944-45. Although the programming could be a little better (the complete sessions are not compiled strictly in chronological order), the music has a strong unity and is consistently enjoyable. Pianist-vocalist Cole and his trio (which also includes important contributions by guitarist Oscar Moore and either Johnny Miller or Wesley Prince on bass) are featured extensively both as a unit and as an accompanying group to singers Anita Boyer, Ida James, Anita O'Day and the Barrie Sisters on 33, 15, five and five songs respectively.

If one song can sum up the rip-roaring energy on Jason Aldean’s eighth studio album, it’s “Gettin’ Warmed Up,” a swirling mix of electric-guitar riffs, country-rock choruses, and an explosive rap interlude. “You need a good time?/Well, I brought it,” he spits with the fire of a Beastie Boy. Rearview Town is indeed a good-time ruckus, full of swaggering, arena-ready country anthems backed by rock muscle (“Up in Smoke,” “Set It Off”). A tender moment arrives in “Drowns the Whiskey,” an expressive, harmony-driven duet with Miranda Lambert. Album closer “High Noon Neon,” the inspiration for his accompanying tour, leaves the energy at a 10.