Don Mclean

Don McLean released his debut album, Tapestry, at the dawn of the 1970s when the hangover haze of the 1960s still lingered strongly in the air. McLean specialized in that netherworld between '60s coffeehouse folk and '70s introspection, navigating the distance between confessional singer/songwriter and MOR pop. He'd never abandon this aesthetic, crafting a handsome, modest body of work over the course of nearly five decades, but he'd always be known for "American Pie," his fluke 1971 chart-topper.

Don McLean released his debut album, Tapestry, at the dawn of the 1970s when the hangover haze of the 1960s still lingered strongly in the air. McLean specialized in that netherworld between '60s coffeehouse folk and '70s introspection, navigating the distance between confessional singer/songwriter and MOR pop. He'd never abandon this aesthetic, crafting a handsome, modest body of work over the course of nearly five decades, but he'd always be known for "American Pie," his fluke 1971 chart-topper.

Don McLean's second album, American Pie, which was his first to gain recognition after the negligible initial sales of 1970's Tapestry, is necessarily dominated by its title track, a lengthy, allegorical history of rock & roll, because it became an unlikely hit, topping the singles chart and putting the LP at number one as well. "American Pie" has remained as much a cultural touchstone as a song, sung by everyone from Garth Brooks to Madonna, its title borrowed for a pair of smutty teen comedies, while the record itself has earned a registered three-million plays on U.S. radio stations.

Don McLean's final album for United Artists was a musical tour de force, and the best self-contained account of the full breadth of McLean's talent. Recorded live in England, in Manchester, Bristol, London, and Oxford, the 26 songs encompassed not only the artist's best-known work, but also many of his personal favorites, among them works by other composers (including Bob Dylan's "Masters of War").