Tom Smothers drops out of the rat race to be a magician in this offbeat comedy directed by Brian De Palma (Scarface, The Untouchables). He plays Donald Beeman, soon to go up in lights as Beeman the Marvelous. Trained in magic by the odd Mr. Delasandro (Orson Welles) and issued his own rabbit, Donald finds fulfillment - and a special admirer (Katharine Ross) - while wowing locals at strip clubs and gin mills. But the corporate life he thought he abandoned soon dogs his heels. Tap Dancing Musicians Inc., a 17-day "fantasy dropout camp" engineered by Donald's ex-boss (John Astin), becomes the in thing for slumming CEOs ? and Donald is the widely proclaimed role model. Can Donald abracadabra his way out of this? Get To Know Your Rabbit and get ready to laugh.
Between 1999 and 2006, the legendary baroque music specialist Ton Koopman brought together a stunning array of singers to record the complete cantatas of J.S. Bach alongside his own Amsterdam Baroque Orchestra and Choir. Released originally mostly in 3-CD sets, this wonderful cycle is available in its entirety. The 67 separate CDs have now been gathered together in a box with a booklet that includes a complete tracklisting and information about each recording.
In Superfluous Southerners, John J. Langdale III tells the story of traditionalist conservatism and its boundaries in twentieth-century America. Because this time period encompasses both the rise of the modern conservative movement and the demise of southern regional distinctiveness, it affords an ideal setting both for observing the potentiality of American conservatism and for understanding the fate of the traditionalist “man of letters.” Langdale uses the intellectual and literary histories of John Crowe Ransom, Donald Davidson, and Allen Tate—the three principal contributors to the Agrarian manifesto I’ll Take My Stand—and of their three most remarkable intellectual descendants—Cleanth Brooks, Richard Weaver, and Melvin Bradford—to explore these issues.
The last in Kent’s trilogy spotlighting black America’s involvement in the Vietnam war. It’s been a long wait but we feel that the 23 tracks here more than uphold the high standard of its predecessors – A Soldier’s Sad Story and Does Anybody Know I’m Here. Presented in loosely chronological sequence, Stop The War contains many highly significant musical statements on various aspects of the conflict, from shipping out to coming home. Even though the Vietnam war has been over for almost half a century it’s still possible, through these songs, to feel the frustration, anger and sadness that many Americans felt towards a conflict that lasted far too long and claimed far too many lives on both sides.
The last in Kent’s trilogy spotlighting black America’s involvement in the Vietnam war. It’s been a long wait but we feel that the 23 tracks here more than uphold the high standard of its predecessors – A Soldier’s Sad Story and Does Anybody Know I’m Here. Presented in loosely chronological sequence, Stop The War contains many highly significant musical statements on various aspects of the conflict, from shipping out to coming home. Even though the Vietnam war has been over for almost half a century it’s still possible, through these songs, to feel the frustration, anger and sadness that many Americans felt towards a conflict that lasted far too long and claimed far too many lives on both sides.