This is the definitive Cool. Grab it and run. You won't find a better compilation. Remixed and including notes by Mr Cool himself, Ross 'The Boss' Wilson, it sounds better than you'll ever remember. The 'hits' are on side 1 and include the extended version of 'Come Back Again'. Side 2 has live performances and some rare studio stuff. This, together with the impressive 2004 release ''The New Cool'', might be all you'll ever need to realign your swagger and cool, unless they release another.
American band formed in 1960s whose reverent revival of 1950s rock 'n' roll made them a sensation. Sha Na Na parlayed their straight-ahead '50s rock & roll revivalism into a successful touring career, even if they were never as popular on record as they were live. The group's image and style were unabashedly anachronistic, as they covered '50s pop and doo wop standards, slicked their hair back in the greaser fashion, and dressed in flamboyant '50s costumes. Sha Na Na formed at Columbia University in 1968 and quickly built a name for themselves with live performances, often at the Fillmore East, featuring such theatrics as a dance contest for audience members. The original lineup consisted of vocalists Rob Leonard, Scott Powell, Johnny Contardo, Frederick "Denny" Greene, Richard "Ritchie" Joffe, and Don York, plus guitarists Chris Donald, Elliot Cahn, and Henry Gross, bassist Bruce Clarke, drummer John "Jocko" Marcellino, pianists "Screamin'" Scott Simon and John "Bowzer" Bauman, and former Danny and the Juniors saxophonist Leonard Baker.
Listening to this album was one weird experience back in 1973, and it hasn't gotten much less so since – but weird in the best, most glorious possible way. Where the 1968 Frank Zappa/Mothers of Invention album Cruising with Ruben & the Jets was as much a satire of as a tribute to rock & roll and doo wop music, laced with several layers of humor and musical sophistication piled on top of its basic material, the For Real! album – produced by Zappa for a real-life Ruben & the Jets – is a stunningly beautiful, utterly delightful and straightforward musical creation; it's all different from the tone of the album that helped inspire it, yet it seems the perfect follow-up to that album.
One of the finest rock & roll revival bands of the 1970s, Showaddywaddy also proved to be one of the most successful and enduring. Originally styled as a British answer to American retro-masters Sha Na Na, Showaddywaddy found themselves scooped up into the glam rock basket; indeed, at a time when rival giants Mud, Wizzard, and the Rubettes were also mining the '50s for inspiration, Showaddywaddy swept ahead with barely a glance over their shoulder. The group's run of greatest hits sounds devastatingly pure, even authentic, while further evidence of their resilience can be garnered from the fact that Showaddywaddy are regularly gigging, a full 50 years after the bandmembers first heard the music which brought them such fame.
One of the finest rock & roll revival bands of the 1970s, Showaddywaddy also proved to be one of the most successful and enduring. Originally styled as a British answer to American retro-masters Sha Na Na, Showaddywaddy found themselves scooped up into the glam rock basket; indeed, at a time when rival giants Mud, Wizzard, and the Rubettes were also mining the '50s for inspiration, Showaddywaddy swept ahead with barely a glance over their shoulder. The group's run of greatest hits sounds devastatingly pure, even authentic, while further evidence of their resilience can be garnered from the fact that Showaddywaddy are regularly gigging, a full 50 years after the bandmembers first heard the music which brought them such fame.