Dormant Beauty

Drummer and composer Eric Schaefer has been described as the central shining star of the German jazz scene. On "Kyoto mon Amour", he takes on the challenge of building bridges between Japanese and Western music. Over more than a decade, he has made three visits to Korea and stayed in Japan no fewer than six times, trips which have greatly influenced Schaefer's musical psyche.

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Eric Schaefer has been described as the “central shining star of the German jazz scene” by the prestigious weekly Die Zeit, while the Munich broadsheet Süddeutsche Zeitung has referred to the “wide-ranging inspiration that he brings to the jazz world.” In “Kyoto Mon Amour” the drummer/composer takes on the challenge of building bridges between Japanese and western music.

Ravel’s Ma mère l’oye and Fauré’s Dolly are two of the highlights in this bewitching programme of music often associated with childhood—works which amply reward the care lavished on them by Paul Lewis and Steven Osborne in these exquisite accounts.

Ravel’s much-loved Mother Goose Suite vividly portrays familiar fairy tales such as Sleeping Beauty and Hop-o’-my-Thumb, and is heard here in its expanded ballet version with a scene-setting Prélude. 1920s Paris was a hotbed of creative collaboration, and the children’s ballet L’Éventail de Jeanne (Jean’s Fan) brought together composers including members of Les Six to create a joyous mélange of influence and individuality, from Ferroud’s Stravinsky-tinted Marche to Poulenc’s catchy Pastourelle, and from Ravel’s glorious opening Fanfare to Schmitt’s truly grand Carnival Waltz finale. This is the first recording of the complete L’Éventail de Jeanne to be made by a French orchestra.

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