Douglas t Hicks

Los Angeles features strongly throughout. As a taster of the pleasures to come over the next couple of years, the opening tracks by ex-Motowners Carolyn Crawford and Kim Weston, along with the Joe Buckner & Major IV number, are from Mickey Stevenson’s late 60s Los Angeles operation; and the Lovers’ acetate-only ‘She’s Supreme’ and John Wesley & the Four Tees’ stomping version of the Williams & Watson LP track ‘Love Is Such A Funny Thing’ were recorded under the aegis of the city’s great arranger Arthur Wright.

Introducing "#1s - 60s," the first installment in the highly-anticipated '#1s' series. Dive deep into the golden age of music with this compilation of chart-topping sensations from the 1960s. This disc collection captures the spirit, innovation, and charm of a transformative decade. Expect to be transported back in time with iconic tracks that still resonate today.

A complete collection for the aspiring & seasoned civil engineers. Contains up to date editions of all the classic handbooks, plus detailed Eurocode manuals. Everything you need, will need, and want to know about civil engineer. Enough knowledge to build a city all on your own!

Introducing "#1s - 60s," the first installment in the highly-anticipated '#1s' series. Dive deep into the golden age of music with this compilation of chart-topping sensations from the 1960s. This disc collection captures the spirit, innovation, and charm of a transformative decade. Expect to be transported back in time with iconic tracks that still resonate today.

Life Is A Journey is the 1997 album by country singer Ricky Skaggs. It was released by Atlantic Records.

Sexy, Shack-Shaking Music. HowellDevine, the massively talented NorCal trio became the first blues band Arhoolie Records (Fred McDowell, Lightnin' Hopkins, Big Mama Thornton) signed in 27 years. Triple threat talent Joshua Howell (slide guitars, harmonica, voice) and percussion savant Pete Devine (drums, washboard) plus snappy doghouse bassist Joe Kyle Jr. deftly mix sinuous Delta/country blues with wildly syncopated rhythms to create a rollicking present day sound from the past. HowellDevine breaks from the norm, providing rich and complex textures integral to the music rather than simple backing for a soloist. The result is a sound which stands in stark contrast to the typical blues heard in bars these days and would more likely be shaking the floors of a Southern juke joint some 70 years ago.