dr Haus

Henning Fuchs is a composer from Germany. His music has been broadcasted and performed worldwide. 2019 saw the light of Henning's solo debut "A NEW BEGINNING". 2020 Henning released his second album GAIA – an homage to Mother Earth featuring internationally acclaimed musicians such as the Chinese Erhu Master Guo Gan, Islandic Violinist Elfa Rún Kristinsdottir, Cello player Boram Lie, Flamenco Guitarist Julián Olivares, David Kuckhermann (Percussion) and many more… In the same year he has been nominated as "Composer of the Year" by the German Classic Award "Opus Klassik".

Born in Brazil, raised in Cologne and based in Berlin, Dominique Dillon de Byington, aka Dillon, has always had a clear vision of her art. She already has two albums under her belt, and she actually regards these as part of the same work, since they tell a coherent story. This has always been apparent in her live shows, which are carried by a magical interchange between the dark-melodic songs of both albums. When the Berlin Foreign Affairs Festival asked her, in 2015, to develop a unique concert idea, she decided on a performance with a six-piece women’s choir, which accompanied her and Tamer Fahri Özgönenc, her collaborator and co-producer of her first two albums, in the live performance at the Haus der Berliner Festspiele in July 2015.

Die E-Gitarre singt, ein Flügelhorn stimmt ein, das Orchester bettet beide in schillernde Streicherklänge. Philipp van Enderts »Moon Balloon« ist eine atmosphärisch dichte Klangreise, eine Symbiose von Jazz und Klassik, so ambitioniert wie entspannt.

Coming almost a decade and a half after the last CDs devoted to James Dillon’s music, this twinned pairof digital releases from Delphian Records and Red Note Ensemble presents two major works written for and premiered by the ensemble in the last six years.

With boisterous post-rock soundscapes akin to Mogwai, And So I Watch You From Afar and sleepmakeswaves, Bear the Mammoth’s new release is a triumphant return to form for the Australian post-rock veterans following 2018’s Years Under Glass.

Four years have passed since the release of Reinhard Mey's last album.