Musically, in terms of being a James Bond score, Dr. No is the weakest of the soundtrack albums in the film series, with only Monty Norman's "James Bond Theme" marking out familiar territory. But as a piece of music and a pop culture artifact, Dr. No may be the most interesting album in the whole output of the James Bond series. A good portion of the most memorable music in the film, including "Kingston Calypso" (the "Three Blind Mice" theme from the opening of the film) and "Jump Up," constituted mainstream American (and European) audiences' introduction to the sounds of Byron Lee & the Dragonaires (who also appeared in the movie, performing "Jump Up"), who became one of the top Jamaican music acts in the world just a couple of years later; sharp-eyed viewers can catch a young white man dancing in that same scene, incidentally, who is none other than Chris Blackwell, the future founder of Island Records.
L'agent secret britannique se bat contre un docteur qui cherche par tous les moyens à se débarrasser définitivement de lui. …
Between his various standards albums of the '90s and the heavily collaborational Anutha Zone from 1998, by the end of the millennium it'd been nearly a decade since Dr. John's last record of straight-ahead New Orleans R&B. Creole Moon rectifies that situation nicely - it's "a personal interpretation of New Orleans" (as he says in the liner notes), and these 14 vignettes of New Orleans life are soaked in Crescent City soul. Creole Moon is also a return to the sound of his classic mid-'70s records (Dr. John's Gumbo, In the Right Place), right from the spidery electric piano and testifying back-up vocals on the opener "You Swore." Most of his band, the Lower 9-11 Musician Vocaleers, have been playing with him for close to 20 years, and provide solid accompaniment…