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Jazz artists exist in a world of collaboration. They are most often defined by contexts: who they played with, what bands they were in, and in what era they performed.

The electric sitar was introduced in the late 60's, imitating the sound of a traditional sitar by using a special bridge and resonance strings. Undoubtedly a specialty instrument, the electric sitar is typically used in classic rock and modern jazz/fusion styles of music.

Strobocop's Cologne-based Karaoke Kalk continues its seemingly never-ending run of form with this beautiful - and no doubt soon to be underrated - LP from Finnish sound engineer, Hannu Karjalainen. Much drone or ambient is released in this day and age, but how much of it is alluring? Does it ever leave you with something lasting? Well, Hannu's music certainly does because there is never a doubt in our minds that the artist is trying to do something different. For real, though. A Handful Of Dust In A Desert is not an easy album to describe or categorise, and that is exactly the reason for why it feels so relevant. Its abundance of drones are elegantly placed throughout, often leaving the listener with thick walls of sound that meander across the room like fluid beams of light. It's a heady experience, and that's exactly what we love about it. 10/10.

Any new release from reclusive Norwegian ambient colossus Geir Jennsen is cause for celebration. The Petrified Forest was inspired by a 1936 movie of the same name, the plot of which revolves around a world-weary British writer meeting a fellow idealist in an isolated diner in the middle of the Arizona desert. Jenssen's music has always been cinematic in tone - think widescreen visions with multiple related movements, sitting somewhere between icy loneliness and comforting homeliness - so it's little surprise to find that The Petrified Forest regularly hits the mark. Evocative, atmospheric and quietly melodiousness, it's a mini album chock full of brilliant downtempo electronica.