Drum Motor

"Flowers in the Dirt" is the eighth studio solo album by Paul McCartney, it was released in 1989 on Parlophone. Upon release, It was considered a major return to form for McCartney because he was embarking on his first world tour since the Wings Over the World tour in 1975-76. "Flowers in the Dirt" was also celebrated due to its musical quality, which earned McCartney some of his best reviews in years. The album gained number 1 status in the United Kingdom.

Kenny Garrett - Sketches of MD: Live at the Iridium (2008) {Mack Avenue MAC 1042} (ft. Pharaoh Sanders}
EAC rip (secure mode) | FLAC (tracks)+CUE+LOG -> 395 Mb | MP3 @320 -> 132 Mb
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© 2008 Run Run Shaw / Mack Avenue Records | MAC 1042
Jazz / Modern Jazz / Post Bop / Saxophone

Though it was recorded live at New York's jazz emporium, Iridium, Detroit born saxophonist Kenny Garrett makes a return home of sorts with Sketches of MD, his debut on the Motor City's own Mack Avenue Records. His quartet here, with bassist Nat Reeves, pianist/organist Benito Gonzalez, and drummer Jamire Williams, may not possess the star power of some of his studio albums, but this band is more than up for the gig. In addition, saxophonist Pharoah Sanders reprises his role from Beyond the Wall from 2006 as Garrett's foil, creating sparks aplenty.

15 Newly Mastered CDs encompassing their astonishing recording career on Columbia Records, plus a bonus disc of raritites, instrumentals and unreleased tracks. Supervised by E,W &F's founder and spiritual guide Maurice White.
Earth, Wind & Fire's horn-powered hit machine represents the best in pop melodies, harmonizing voices, funky syncopation and rhythms of the world.

Rammstein's first album was about what was to be expected from a bunch of Germans who happily grew up on everything from Skinny Puppy to Depeche Mode to Laibach and back again, not to mention plenty of skull-crushing metal straight up. Precisely brutal and often brilliantly arranged - the band aren't per se inventive, but they bring everything together to make something astonishingly radio-friendly out of something that isn't necessarily - Herzeleid in particular is the logical conclusion of KMFDM's self-referential electro-metal. The band freely invokes its own name throughout the way that group did in its songs – the final tune is called "Rammstein," to top it all off - and the riffs readily connect the dots between the older band's clipped guitar bursts and their even more compressed nu-metal equivalents…