Drums Sequencer Book

How to Program Drum Patterns for Beats AND Create Drum Loops. Learn How to Make Drum Loops for Rap and Dance Music.

THIRD NOISE PRINCIPLE: aka CLOSE TO THE NOISE FLOOR VOLUME 3.The third in our 'Close To The Noise Floor' early electronica series - this time exploring the USA and Canada. Includes legendary artists Suicide, The Residents (a previously unreleased track), Philip Glass, Terry Riley, Patrick Cowley, NON, Laurie Spiegel, Chrome, Ministry, Moev and dozens more. Journey into the origins of electronica in North America - from early techno and electro to synth-pop, industrial music, ambient soundscapes and noise experiments..60 tracks across 4CDs in a 48pp hard-back book format. Over 10,000 words of artists' sleevenotes and introductory essay by Dave Henderson (Sounds/Wild Planet/MOJO)..Packed with previously unreleased tracks, lost gems and underground classics from lesser known artists, experimenters, innovators and outsiders..Part primitive rave, part synthesiser porn, part history lesson!A year in the making, Third Noise Principle reaches out to North America, taking in tracks from key figures on the early US and Canadian electronica underground, alongside releases by ground-breaking innovators, seminal composers and countless lesser known artists.

Lake Havasu is a community of winding hillside roads, launched in the 1960s alongside a brick-for-brick rebuild of the original London Bridge. “It’s this very synthetic, gimmicky place set in this soulful, desolate landscape,” laughs Pedro the Lion’s David Bazan, who moved to the Arizona city for one year in seventh grade. Bazan collected his earliest childhood experiences for 2019’s Phoenix, the prolific artist’s celebrated return to the Pedro moniker and the first in a planned series of five records chronicling his past homes.

Peter Gabriel is an extraordinary person and musician. He famously started his career as the extrovert leader of the extremely introverted band Genesis, but his real fame and success came as a solo artist and subsequently through his contributions to World Music through the label he started, Real World. Before his enormously successful album ‘So’, Gabriel had huge hits with songs like ‘Solsbury Hill’, ‘Games Without Frontiers’ and ‘Biko’, from a succession of albums all called ‘Peter Gabriel’.

Truly a musician's musician, Adam Holzman's career, visibility-wise, has waxed and waned over the keyboardist's thirty-year career, but he's never been less than busy. His time spent with Miles Davis, during the last years of the music icon's life, helped raise the masterful and broad-reaching keyboardist/producer's profile. Certainly, based on his work with jazz artists including Davis protégée Wallace Roney, Davis reissue producer/saxophonist Bob Belden, Grover Washington Jr. and Michel Petrucciani from 1989 to 2010, Holzman has kept plenty of prestigious company. And why shouldn't he? In the jazz world, he's a keyboardist with a full appreciation for its tradition, its broad and sophisticated language, and the demands made by a genre that has continued to evolve in a myriad of ways since emerging around the turn of the 20th century.

Studio One® 4 was designed with ease of use at its core. It seamlessly combines the time-tested and proven recording studio model with today’s beat- and loop-oriented production process so you can bring musical ideas to sonic reality more quickly than ever before.An efficient, single-screen interface houses an unlimited number of tracks, intuitive editing tools, and advanced virtual instruments. Spend your precious time creating music instead of wondering what to click next. Studio One doesn’t dictate how you work or what you work on.

Studio One® 4 was designed with ease of use at its core. It seamlessly combines the time-tested and proven recording studio model with today’s beat- and loop-oriented production process so you can bring musical ideas to sonic reality more quickly than ever before.An efficient, single-screen interface houses an unlimited number of tracks, intuitive editing tools, and advanced virtual instruments.

Studio One® 4 was designed with ease of use at its core. It seamlessly combines the time-tested and proven recording studio model with today’s beat- and loop-oriented production process so you can bring musical ideas to sonic reality more quickly than ever before.An efficient, single-screen interface houses an unlimited number of tracks, intuitive editing tools, and advanced virtual instruments. Spend your precious time creating music instead of wondering what to click next. Studio One doesn’t dictate how you work or what you work on.

Studio One® 4 was designed with ease of use at its core. It seamlessly combines the time-tested and proven recording studio model with today’s beat- and loop-oriented production process so you can bring musical ideas to sonic reality more quickly than ever before.An efficient, single-screen interface houses an unlimited number of tracks, intuitive editing tools, and advanced virtual instruments.