Dsd Acoustic

Sadao Watanabe - Song Book (1969) {2014 Japan Jazz Collection 1000 Columbia-RCA Series SICP 4232}

Sadao Watanabe - Song Book (1969) {2014 Japan Jazz Collection 1000 Columbia-RCA Series SICP 4232}
EAC rip (secure mode) | FLAC (image)+CUE+LOG -> 342 Mb | MP3 @320 -> 120 Mb
Full Artwork @ 300 dpi (png) -> 28 Mb | 5% repair rar
© 1969, 2014 Columbia / Sony Music Japan | SICP 4232
Jazz / Post Bop / Fusion / Modal Music / Saxophone / Flute

Reissue with the latest DSD remastering. Comes with liner notes. A really beautiful chapter in the career of reedman Sadao Watanabe – a batch of mostly original compositions, as you might guess from the title – and a double-length record that really showed an evolution of his talents! The sound is often highly lyrical – with Watanabe blowing alto, soprano sax, and flute in modes that are clearly informed by his bossa nova recordings of the late 60s, but which also spring forth in even more complicated styles – with echoes of French soundtracks, European jazz, and other sweet styles of the time. The group's a small one – with Yoshiaki Masuo on guitar, Kazuo Yashiro on acoustic piano and Fender Rhodes, Masabumi Kikuchi on piano, Yoshio Suzuki on bass, and Fumio Watanabe on drums.
Pat Martino - Exit (1976) {Master Sound Japan Mini LP SRCS 9413}

Pat Martino - Exit (1976) {Master Sound Japan Mini LP SRCS 9413}
EAC rip (secure mode) | FLAC (tracks)+CUE+LOG -> 283 Mb | MP3 @320 -> 109 Mb
Full Artwork @ 600 dpi (jpg) -> 124 Mb | 5% repair rar
© 1976, 1998 Muse Records / Sony Music Japan | Master Sound DSD | SRCS 9413
Jazz / Post Bop / Guitar

This LP gave listeners a good sampling of mid-1970s Pat Martino. The distinctive yet flexible guitarist teams up with Gil Goldstein (who sticks here to acoustic piano), the great bassist Richard Davis, and drummer Billy Hart. Martino plays more standards than usual (four out of six songs, including "Days of Wine and Roses" and "Blue Bossa"), and, of his two originals, "Three Base Hit" has the spirit and fire of bop. An excellent outing.
Gary Peacock - Voices (1971) {2015 Japan Jazz Collection 1000 Columbia-RCA Series SICJ 37}

Gary Peacock - Voices (1971) {2015 Japan Jazz Collection 1000 Columbia-RCA Series SICJ 37}
EAC rip (secure mode) | FLAC (tracks)+CUE+LOG -> 302 Mb | MP3 @320 -> 127 Mb
Full Artwork @ 600 dpi (png) -> 299 Mb | 5% repair rar
© 1971, 2015 Columbia / Sony Music Japan | SICJ 37
Jazz / Post Bop / Avant-Garde Jazz / Bass / Piano Trio

Reissue with the latest DSD remastering. Comes with liner notes. One of the hippest albums ever recorded by bassist Gary Peacock – one of his rare Japanese-only sessions, and a date that beautifully mixes his bass with acoustic and electric piano from Masabumi Kikuchi! The sound is often somewhat dark – building up slowly from the bottom on long, contemplative lines from Peacock's bass – as Kikuchi fills things in with some slightly sharp edges, but never too much so. The rest of the group features twin drums from Masahiko Togashi and Hiroshi Murakami – although each player drops out for a number apiece. Titles are all originals by Gary – and include "Hollows", "Bonsho", "Ishi", "Voice From The Past", "Requiem", and "Ae Ay".
Sadao Watanabe - Swiss Air (1975) {2014 Japan Jazz Collection 1000 Columbia-RCA Series SICP 4065}

Sadao Watanabe - Swiss Air (1975) {2014 Japan Jazz Collection 1000 Columbia-RCA Series SICP 4065}
EAC rip (secure mode) | FLAC (tracks)+CUE+LOG -> 302 Mb | MP3 @320 -> 109 Mb
Full Artwork @ 600 dpi (png) -> 274 Mb | 5% repair rar
© 1975, 2014 Columbia / Sony Music Japan | SICP 4065
Jazz / Neo Bop / Saxophone

Reissue with the latest DSD remastering. Comes with liner notes. Sadao Watanabe Quartet for CBS Sony Japan from 1975. Sadao Watanabe (as,fl,sn) , Takehiro Honda (p) , Osamu Kawakami (b) , Shinji Mori (ds). Recorded at Montreux this powerful acoustic quartet session continues to reflects the African influences prevalent in Watanabes mid 70s sets "Mabali Africa" & "Kenya Ya Africa ". Over 5 original compositions Watanabe blows long and hard his playing a million miles from the fusion fluff he was to churn out in later years while Takehiro Honda nearly steals the show with his thunderous piano runs and vamps.
Makoto Ozone - Spring Is Here (1986) {2014 Japan Jazz Collection 1000 Columbia-RCA Series SICP 4235}

Makoto Ozone - Spring Is Here (1986) {2014 Japan Jazz Collection 1000 Columbia-RCA Series SICP 4235}
EAC rip (secure mode) | FLAC (image)+CUE+LOG -> 303 Mb | MP3 @320 -> 119 Mb
Full Artwork @ 300 dpi (png) -> 28 Mb | 5% repair rar
© 1986, 2014 Columbia / Sony Music Japan | SICP 4235
Jazz / Post Bop / Modern Postbebop / Piano Trio

Reissue with the latest DSD remastering. Comes with liner notes. 1. I believe this was Makoto's 3rd album (something like that) and when it came out, I was expecting some more inventive Makoto magic–> but I was surprised to learn / hear that this was standard jazz material and I totally loved it. 2. This was produced before trio jazz stuff came back into fashion (ie prior to Chick's Acoustic Band and around the time of Keith Jarrett's trio… I think Keith had his first live trio album around this time). Anyway, the trio work is great, the song selection is classic, this is a no brainer for anyone who appreciates good / classic standard jazz.
Terumasa Hino - Hogiuta (1976) {East Wind Japan Paper Sleeve UCCJ-9047 rel 2002}

Terumasa Hino - Hogiuta (1976) {East Wind Japan Paper Sleeve UCCJ-9047 rel 2002}
EAC rip (secure mode) | FLAC (tracks)+CUE+LOG -> 227 Mb | MP3 @320 -> 100 Mb
Full Artwork @ 600 dpi (png) -> 155 Mb | 5% repair rar
© 1976, 2002 East Wind / Universal Japan | UCCJ-9047 | DSD
Jazz / Post Bop / Spiritual Soul Jazz / Trumpet / Percussion

One of the most striking mid 70s sessions from Japanese trumpeter Terumasa Hino – an extended suite of tracks performed by a very hip group that includes Mtume on congas and percussion, Cecil McBee on bass, and Motohiko Hino on drums! The approach here is almost in a mid 70s spiritual soul jazz mode – with lots of spare percussion and bass work at the beginning, building in mood and meaning as the set goes on and things heat up. Hino plays trumpet and percussion, and all players vocalize at parts of the performance – chanting along with the tunes in a way that really adds a soulful undercurrent to the record.
Roger McGuinn - Roger McGuinn (1973) [2007, Japanese Paper Sleeve Mini-LP CD]

Roger McGuinn - Roger McGuinn (1973) [2007, Japanese Paper Sleeve Mini-LP CD]
Rock, Country Rock, Rock & Roll | EAC Rip | FLAC, Tracks+CUE+LOG+Scans (JPEG) | 41:25 | 290,60 Mb
Label: Sony Music Japan International Inc. (Japan) | Cat.# SICP 1543 | Released: 2007-10-24 (1973)

"Roger McGuinn" is the 1st full-length solo album by Roger McGuinn, released in 1973. This album was released after The Byrds' 1973 reunion album, on which all five founding members of the group participated in the sessions. McGuinn himself has stated that any outtakes left over from those sessions appeared here, but this was later proven to be false with the discovery of several alternate takes and at least one outtake in late 2009. The majority of the songs on the album were co-written with Jacques Levy, who collaborated with McGuinn on the abandoned country-rock musical Gene Tryp in 1968-1969 (most of the resulting songs appeared on The Byrds' (Untitled) and Byrdmaniax albums) and remained his principal lyricist until 1977.
Sadao Watanabe - Live At The Junk (1969) {2015 Japan Jazz Collection 1000 Columbia-RCA Series, SICJ 63}

Sadao Watanabe - Live At The Junk (1969) {2015 Japan Jazz Collection 1000 Columbia-RCA Series, SICJ 63}
EAC rip (secure mode) | FLAC (tracks)+CUE+LOG -> 436 Mb | MP3 @320 -> 148 Mb
Full Artwork @ 600 dpi (png) -> 340 Mb | 5% repair rar
© 1969, 2015 Columbia / Sony Music Japan / CBS | SICJ 63
Jazz / Post Bop / Neo Bop / Saxopohone

Reissue with the latest DSD remastering. Comes with liner notes. One of the more obscure albums by this great reedman – recorded live, and with a loose feel that really points towards his changes to come in the 70s! The album's got a lively vibe that's quite a change from some of Watanabe's albums from a few years before – longer tracks, lots of new ideas, and a style that's really stretching out – yet never too far outside too.