In his ‘new life’ as a baritone Plácido Domingo has triumphed in the role of Francesco Foscari in Los Angeles, London and Vienna. Now he takes to the role in La Scala, Milan, the theatre that is the symbol of Italian opera. I due Foscari, premiered in 1844, famously one of Verdi’s darkest operas, is staged by Alvis Hermanis, who made such an impact at the Salzburg Festival with Die Soldaten and Il trovatore. Domingo is joined by two of Italy’s most exciting singers, the soprano Anna Pirozzi and the tenor Francesco Meli, and the acclaimed Italian conductor Michele Mariotti. The Financial Times was deeply moved by Domingo’s performance, calling his interpretation of the role ‘sublime’.
In his ‘new life’ as a baritone Plácido Domingo has triumphed in the role of Francesco Foscari in Los Angeles, London and Vienna. Now he takes to the role in La Scala, Milan, the theatre that is the symbol of Italian opera. I due Foscari, premiered in 1844, famously one of Verdi’s darkest operas, is staged by Alvis Hermanis, who made such an impact at the Salzburg Festival with Die Soldaten and Il trovatore. Domingo is joined by two of Italy’s most exciting singers, the soprano Anna Pirozzi and the tenor Francesco Meli, and the acclaimed Italian conductor Michele Mariotti. The Financial Times was deeply moved by Domingo’s performance, calling his interpretation of the role ‘sublime’.
I due Foscari was Verdi’s sixth opera and based on Lord Byron’s play The Two Foscari. Rich in intrigue, the plot tells of the final days of the famous Venetian doge, Francesco Foscari, and his illegal overthrow in 1457.
Lee’s production of I due Foscari, set against a simple curved backdrop and beautifully costumed, works best on screen…with Nucci giving a baritonal masterclass in the title role, Tatiana Serjan pouring out exciting (if veiled) tone as Lucrezia, and De Biasio enjoying a success as Jacopo. (Opera Now)
Tenor Charles Castronovo celebrates his first Delos solo album with an all Verdi programme which showcases the composer's spellbinding use of theatrical devices. Noble Renegades offers a collection of complete scenes from operas such as Don Carlos, Luisa Miller and I Lombardi which encompass the emotional arc the protagonists experience as the story unfolds, very much epitomizing Verdi's vision of opera as a true "operatic theater". This album shows Verdi's profound influence on Charles's career, featuring roles he has performed all over the world. He is accompanied by "the singer's dream collaborator" Constantine Orbelian and his Kaunas City Symphony Orchestra. Distinguished singers Kristin Sampson, Tomas Pavilionis and Tadas Girininkas, as well as the Kaunas State Choir join in.