Duncan

Chicago blues singer/harpist Little Arthur Duncan was born in Indianola, MS in 1934 and raised on the same Woodburn Plantation as B.B. King. He relocated to the Windy City's West Side during the 1950s, often playing in the company of guitar great Earl Hooker; despite the unique harmonica sound produced by his custom of playing the bass notes on the right, for decades Duncan remained little-known outside of the Chicago scene, primarily appearing at his own Back Scratcher Social Club.

Long a Chicago club mainstay, Duncan sings and blows harp in the time-honored 1950s style of that city's rich blues tradition. Backed by the Rockin' Johnny Band, Duncan runs through a set of originals and old favorites that proves that there's still a few of the old timers left who can deliver the goods. Duncan's harp is replaced by Martin Lang on three tracks and Eddie Taylor Jr. takes over the guitar chores on two tunes, and is particularly effective on "Tribute to Jimmy Reed." Although some of Little Arthur's originals skirt the issue of copyright and his timing is suspect in spots, this is one fine album of journeyman blues sung and played with a whole lot of feeling.

Lunacy / Fluance Featuring Duncan Mackay [Bell Antique Paper Jacket Series] an album produced by the full backup of the music composed by Jane Lane and Philip Lane. It has a spacey and progressive style influenced by Pink Floyd in the 70's, with a fresh impression that is different from the conventional Duncan McKay style. A gorgeous production consisting of a band consisting of 7 members and guests such as saxophone and guitar. Duncan Mackay is a British composer, singer, arranger, and keyboard player who has recorded eight solo albums as well as collaborations. He played with Steve Harley & Cockney Rebel from 1975 to 1977 and 10cc from 1978 to 1981, and also played on Kate Bush's first three albums, The Kick Inside, Lionheart (both 1978) and Never for Ever (1980), as well as Camel's 1981 album Nude, and Budgie's 1982 album Deliver Us from Evil.