Dutilleux

This disc offers a trio of orchestral works by Dutilleux which are not otherwise available together, and it scores highly for including the first recording of the 1991 revision of Timbres, espace, mouvement (1978).

"Dutilleux's quartet has to be one of the finest post-war works in the genre. In seven movements (plus interludes) that play without a break, this seventeen minute work conjures up a bewildering variety of nocturnal moods, colours and atmospheres. Yet it is always strongly coherent, the writing unified by the composer's tendency to treat the four instruments of the string quartet as if they were one super-stringed instrument. The performance on this disc is absolutely stunning–the precision of the Arditti Quartet is matched by an imagination and colouristic range that's second to none."

Recensie op Amazon.com

All Music Guide
Among contemporary music ensembles, perhaps none is more ambitious or daring than the brilliant Arditti String Quartet, which presents three virtuosic modernist works on this Wigmore Hall Live release. The metric complexities of Conlon Nancarrow's short, etude-like "String Quartet No. 3" (1987) test the player's rhythmic precision and linear independence, while the ensemble's cohesion and balance are challenged in the 12 epigrammatic sections of Henri Dutilleux's "String Quartet, Ainsi la Nuit" (1973-1976). But while both of these works are undeniably impressive for the great difficulties they present, the tour de force of this recording is György Ligeti's enormously demanding "String Quartet No. 2" (1968), a masterpiece of extended string techniques and sonorities that is a bold continuation of the explorations of Béla Bartók; yet this work is an intense musical experience in its own right, for all the stark contrasts of material and fantastic experimentation. Listening to this disc in one sitting can be invigorating or exhausting, depending on one's experience and inclination toward avant-garde string quartet music; since the density of detail is high, there is a lot to absorb here, and all three string quartets require the sharpest attention. Yet the Arditti String Quartet is a superb guide to these uncompromising pieces, and the group's exuberance and phenomenal playing undoubtedly made this April 9, 2005, concert enjoyable for its audience. The reproduction is remarkably vibrant and almost palpable in its presence.

—Blair Sanderson

Dutilleux is an outsider by instinct and his independence from prevailing 'schools' of French composition would explain why his music is not as widely appreciated as its abundant qualities suggest it should be. And it's coals to Newcastle indeed that it was a British orchestra -the City of Birmingham Symphony Orchestra - who first brought Dutilleux's music to Paris's most chic music venue, the Cité de la Musique, in 1999.