Dvorak Järvi

This disc, particularly well recorded in 1986, brings one of the best versions of the symphony coupled with an equally fine delivery of one of the finest for the late symphonic poems. Symphonic is the key word here as this symphony is the most non-nationalist symphony in the Dvorak canon and is without much doubt the most purely symphonic creation as well as being the most tautly argued and dramatic of the nine symphonies. Jarvi's style of conducting these symphonies is to take a straight view and play them very much as Dvorak wrote them. There are therefore no undue changes of tempi, either slowing down to underline climaxes or speeding up to create artificial excitement.

This album by violinist Christian Tetzlaff and cellist Tanja Tetzlaff together with the Deutsches Symphonie-Orchester Berlin conducted by Paavo Järvi, is dedicated in the memory of their longtime artistic partner, pianist Lars Vogt (1970–2022). At the heart of this album is Brahms, one of Lars Vogt’s favourite composers, and his late orchestral masterpiece, the Double Concerto. Brahms himself had admired one of Viotti’s violin concertos so much that he included material from the Violin Concerto no.22 into his work. With Christian Tetzlaff’s recording of the Violin Concerto, this album finally brings these two works together. Also included is Dvořák’s beautiful Silent Woods for cello and orchestra, a work by another composer that was very close to Lars Vogt’s heart.

This disc, well recorded in 1986, is typical of the whole series of Dvorak symphonies. It offers performances that are lively, perceptive and which are presented in glowing sound also giving considerable detail in a natural sound-stage without spotlighting.

This whopping 40-disc set, which sells for very little, contains familiar performances of the major works, and most of them are quite good. Symphonies Nos. 1-7 feature Kosler and the Slovak Philharmonic–not a first-class orchestra, but a fine conductor who gets the ensemble to play idiomatically and well. The Eighth is Menuhin's (not bad), the Ninth Paavo Järvi's (quite good). The concertos come from Vox and feature Firkusny (piano), Nelsova (cello), and Ricci (violin).

Born in Tallinn in 1962, Paavo Järvi is renowned for his dynamic interpretations and innovative programming. He has held prominent positions with leading orchestras, including the Cincinnati Symphony Orchestra, Orchestre de Paris, NHK Symphony Orchestra, Deutsche Kammerphilharmonie Bremen, or the Tonhalle-Orchester Zürich more recently. Paavo Järvi's approach combines technical precision with expressive depth, making him a favourite among musicians and audiences alike.

The Dvorák Cello Concerto has become one of the most iconic concertos in the instrument's repertoire, having been recorded (often more than once) by the vast majority of cellists who typically perform concertos. With so many recordings out there, it's difficult for new recordings and new cellists to distinguish themselves. Cellist Gautier Capuçon, in this album for Virgin Classics, throws his hat into the ring along with Paavo Järvi and the Frankfurt Radio Symphony Orchestra. There is no denying Capuçon's impressive technical abilities; his intonation is impeccable, he maneuvers around the fingerboard with impressive ease, and his tone is rich but transparent.