American cellist Alisa Weilerstein, described by BBC Music Magazine as “one of the most extraordinary” soloists of her generation, follows her critically acclaimed Decca debut recording of Elgar’s Cello Concerto with a vital new interpretation of Dvorák’s Cello Concerto, coupled with some of his best-known melodies. Alisa Weilerstein’s all-Dvorák programme includes the haunting melody from his “New World” Symphony, popularly known as Going Home; his song Lasst mich allein, the beautiful Silent Woods and more…
A typically rich programme, to celebrate the Zemlinsky Quartet twentieth anniversary, associating the two best-known of all Slavonic quartets and a trio, A homage to Mozart (K424) that the composer (also a violist) loved to play with friends. Irresistible!
In 2004 Bernarda Fink released a recording of Dvorák songs that was awarded critical plaudits internationally. Now, eight years later, she returns to the composer, in the company of young soprano Genia Kühmeier, to sing 13 of the Moravian Duets which brought the young musician fame far beyond his homeland. The other two cycles, for solo voice, round out the portrait of a Dvorák still attached to musical traditions, whether sacred (Biblical Songs) or secular (Gypsy Melodies).
Dvorák composed four piano trios, and all of them are fine works. The very last, the so-called "Dumky" Trio, has eclipsed the others in popularity, which is a pity, particularly with respect to the Trio No. 3 in F minor. This work, composed at exactly the same time as the Seventh Symphony, is clearly the finest work of its type since Beethoven–and that includes the three trios of Brahms. Perfectly proportioned, emotionally intense, and chock full of incredible tunes, it grabs you from the first note and never lets you go.
The Philharmonie Südwestfalen and its chief conductor, Nabil Shehata, offer us repertoire rarities of the highest artistic quality and one of the milestones of the repertoire. On the orchestra's second recording with GENUIN, the agile North Rhine-Westphalian state orchestra presents works by Antonín Dvořák on a double CD. In addition to the “Symphony
From the New World”, the album includes the early, lush 3rd Symphony of the Bohemian master and two of his late symphonic poems: “The Noon Witch” and “The Water Goblin”. A fascinating cross-section of Dvořák's work, from his Richard Wagner-influenced beginnings to maturity.
The chamber music of Strauss and Dvořák represents for Maisky and his long-time musical partner Pavel Gililov the fruits to years of music-making. Strauss’s Cello Sonata, written by the composer at the tender age of 19, does not have the uniformity or a clear sense of character that Strauss later developed in his Violin Sonata five years later. Notwithstanding, Maisky and Gililov manage to turn the piece positively into a thrilling performance, intelligently interwoven with their commanding dialogues.