Dylan Highway

Highway 61 Revisited is the sixth studio album by the American singer-songwriter Bob Dylan, released on August 30, 1965, by Columbia Records. Dylan continued the musical approach of his previous album Bringing It All Back Home (1965), using rock musicians as his backing band on every track of the album in a further departure from his primarily acoustic folk sound, except for the closing track, the 11-minute ballad "Desolation Row". Critics have focused on the innovative way Dylan combined driving, blues-based music with the subtlety of poetry to create songs that captured the political and cultural climate of contemporary America. Author Michael Gray argued that, in an important sense, the 1960s "started" with this album. Highway 61 Revisited peaked at No. 3 on the US Billboard Top LPs chart and No. 4 on the UK Albums Chart. Positively received on release, the album has since been described as one of Dylan's best works and among the greatest albums of all time, ranking No. 4 on Rolling Stone's "The 500 Greatest Albums of All Time list in 2003 and repositioned to No. 18 in the 2020 revision.

Highway 61 Revisited is the sixth studio album by the American singer-songwriter Bob Dylan, released on August 30, 1965, by Columbia Records. Dylan continued the musical approach of his previous album Bringing It All Back Home (1965), using rock musicians as his backing band on every track of the album in a further departure from his primarily acoustic folk sound, except for the closing track, the 11-minute ballad "Desolation Row". Critics have focused on the innovative way Dylan combined driving, blues-based music with the subtlety of poetry to create songs that captured the political and cultural climate of contemporary America.

Highway 61 Revisited is the sixth studio album by American singer-songwriter Bob Dylan, released on August 30, 1965 by Columbia Records. Having until then recorded mostly acoustic music, Dylan used rock musicians as his backing band on every track of the album, except for the closing track, the 11-minute ballad "Desolation Row". Critics have focused on the innovative way Dylan combined driving, blues-based music with the subtlety of poetry to create songs that captured the political and cultural chaos of contemporary America. Author Michael Gray has argued that, in an important sense, the 1960s "started" with this album. The album was ranked No. 4 on Rolling Stone's "500 Greatest Albums of All Time". "Like a Rolling Stone" was a top-10 hit in several countries, and was listed at No. 1 on Rolling Stone's 500 Greatest Songs of All Time list.

"Highway 61 Revisited" is the seminal masterpiece by Bob Dylan. It is listed at #4 on Rolling Stone’s “500 Greatest Albums of All Time” and features the #1 song on Rolling Stone’s “500 Greatest Songs of All Time,” "Like A Rolling Stone." It peaked at #3 on the Billboard 200 and is one of NME’s “Greatest Albums of All Time”.

Its title references the road that spans North Minnesota to the Mississippi Delta, and the formative blues, country, and roots sounds connected to its existence. The highway also lays claim to towering musical myths and deaths, many tied to the blues lexicon and narrative. All figure prominently on the revolutionary beacon that is Highway 61 Revisited, the 1965 set that overturned rules, upended preexisting limits, and utterly changed everything in its path. Ranked the fourth-greatest album ever made by Rolling Stone, its reach, power, and content boggle the mind nearly five decades after its release.

"Highway 61 Revisited" is the seminal masterpiece by Bob Dylan. It is listed at #4 on Rolling Stone's “500 Greatest Albums of All Time” and features the #1 song on Rolling Stone's “500 Greatest Songs of All Time”, "Like A Rolling Stone". It peaked at #3 on the Billboard 200 and is one of NME's “Greatest Albums of All Time”.

In 2003, Columbia/Legacy reissued 15 selected titles from Bob Dylan's catalog as hybrid SACDs. Each title was packaged as a digipak, containing the full original artwork. On each of the titles, and on each of the layers, the remastered sound was spectacular, a considerable upgrade from the initial CD pressings. Five of these titles – Another Side of Bob Dylan, Blonde on Blonde, Bringing It All Back Home, Slow Train Coming, Blood on the Tracks, Love and Theft – also had 5.1 Surround Sound mixes.