The 30th Anniversary Concert Celebration is a live double-album release in recognition of Bob Dylan's 30 years as a recording artist. Recorded on October 16, 1992, at Madison Square Garden in New York City, it captures most of the concert, which featured many artists performing classic Dylan songs, before ending with three songs from Dylan himself.
Biograph is a 53-track compilation spanning the career of Bob Dylan, from his 1962 debut album to the 1981 LP Shot of Love. It was released in 1985 by Columbia Records, one of the earliest and most successful examples of the CD Box Set. It reached #33 in the US and went platinum.
Masterpieces is a compilation album by Bob Dylan. The 3-LP set was released in Japan and Australia in anticipation of his 1978 tour. Primarily a greatest hits collection spanning Dylan's career up that point, the album features three previously unreleased tracks, including "Rita May", "George Jackson" and a unique (1962) outtake version of "Mixed Up Confusion". It also includes a live performance of "Just Like Tom Thumb's Blues" from Dylan's 1966 World Tour, which was first released as the B-side of his "I Want You" single in 1966 and later appeared on Self Portrait. Masterpieces was reissued on CD in 1991 by Sony Music (Cat. No. 4624489), but is no longer in print.
Director D.A. Pennebaker's black-and-white 1967 documentary film Don't Look Back largely chronicles Bob Dylan's tour of the U.K. in the spring of 1965, the last outing on which the not-quite-24-year-old singer/songwriter appeared solo, accompanying himself on acoustic guitar and harmonica…
Bob Dylan and the Band both needed the celebrated reunion tour of 1974, since Dylan's fortunes had been floundering since Self Portrait and the Band stumbled with 1971's Cahoots. The tour, with its attendant publicity, definitely returned both artists to center stage, and it definitely succeeded, breaking box office records and earning great reviews…
A companion to the 2015-2016 Country Music Hall of Fame exhibit of the same name, Dylan, Cash and the Nashville Cats: A New Music City is a double-disc history of the moment when country met rock – or when rock met country, as the case might be. In this particular reading of country-rock history, the movement begins in 1966, when Bob Dylan headed down to Nashville to cut Blonde on Blonde with a crew of the city's renowned studio musicians. Prior to that, country could be heard in rock & roll mainly through rockabilly, a music that functions as prehistory on this collection, present through the presence of Sun veteran Johnny Cash but not much else.
The official release of The Basement Tapes – which were first heard on a 1968 bootleg called The Great White Wonder – plays with history somewhat, as Robbie Robertson overemphasizes the Band's status in the sessions, making them out to be equally active to Dylan, adding in demos not cut at the sessions and overdubbing their recordings to flesh them out…