E.s.t. Live

In a relatively short time frame, Chicago guitarist Dave Specter has found his way onto the blues equivalent of the fast track. Just over a decade ago, the towering guitarist with the carefully coiffed hair first made his presence felt as a good-natured bouncer at B.L.U.E.S., a Windy City blues mecca. Now, he's got six acclaimed albums in the Delmark catalog, every one a satisfying, challenging mix of blues (Specter lists influences including T-Bone Walker, Pee Wee Crayton, Magic Sam, and Otis Rush) and jazz (Kenny Burrell's another of his main men).

Elvis Aaron Presley[a] (January 8, 1935 – August 16, 1977), or simply Elvis, was an American singer and actor. Dubbed the "King of Rock and Roll", he is regarded as one of the most significant cultural figures of the 20th century. His energized interpretations of songs and sexually provocative performance style, combined with a singularly potent mix of influences across color lines during a transformative era in race relations, led him to both great success and initial controversy.

Described by the band as "the best party we've ever thrown", Stereophonics Live At Morfa Stadium mixes on-stage filming with behind-the-scenes footage, graphically ilustrating the raw-adrenaline fuelled energy of Stereophonics' incredible live performance. Tracks from the award-winning album 'Performance And Cocktails' as well as all the classics from their debut 'Word Gets Around', are interspersed with pre- and post-performance interviews. A bright new noise in U.K. alternative rock in the '90s and into the new millennium, Stereophonics are comprised of vocalist/guitarist Kelly Jones, bassist Richard Jones, and drummer Stuart Cable (until the latter's replacement by Javier Weyler). They were formed in Cwmaman, South Wales, originally as the teenage cover band Tragic Love Company.

Zelmira was the last opera Rossini wrote for Naples, knowing it would also be his calling card to Vienna where he had been assured performances. Keen to reconcile the alleged incompatibility between ‘Italian’ melody and ‘German’ harmony, Rossini employed exciting and daring harmonies and a raft of dazzling orchestral effects in this tragedy in which a daughter saves her father, the king, and her son, from usurpers to the throne. The opera was acclaimed wherever it was heard, and this recording presents the revised and triumphant Paris version.