The history of jazz is written as a recounting of the lives of its most famous (and presumably, most influential) artists. Reality is not so simple, however. Certainly the most important of the music's innovators are those whose names are known by all — Armstrong, Parker, Young, Coltrane. Unfortunately, the jazz critic's tendency to inflate the major figures' status often comes at the expense of other musicians' reputations – men and women who have made significant, even essential, contributions of their own, who are, for whatever reason, overlooked in the mad rush to canonize a select few. Lennie Tristano is one of those who have not yet received their critical due. In the mid-'40s, the Chicago-born pianist arrived on the scene with a concept that genuinely expanded the prevailing bop aesthetic.
Steve Miller had started to essay his classic sound with The Joker, but 1976's Fly Like an Eagle is where he took flight, creating his definitive slice of space blues.
What a shame that Wilton Felder and Wayne Henderson didn't have enough confidence in their legendary trombone/sax chemistry to feature it in the forefront more. Instead they relegate themselves (and the jumpy, soulful groove tracks behind them) to supporting roles behind not simply overtly commercial vocals but super-cheesy ones at that. On "Keep That Same Old Feeling," they tarnish a sharp horn tradeoff with pointless female vocals that remind us we're "jamming with the Jazz Crusaders." Henderson himself hurts a hip new arrangement of "(You've Got) Personality" by singing the lead himself, while "Party Joint" wastes a cool, marching brass sound with a repetitive vocal line that sounds like it came from a bad 70s funk record.
Aleph Records is proud to release Lalo Schifrin: My Life in Music, a four-CD boxed set of music from the legendary composer's career in film, jazz, and classical music. The set features music from three-dozen films, jazz and symphonic pieces composed by Schifrin, and unreleased music from films including Charley Varrick, The Beguiled, Joe Kidd, and Coogan's Bluff. Along with over five hours worth of music, a forty-eight page book is included with archival photos and notes.
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