Eagles Sacd One of

in 1974, the Eagles released their third studio album, an LP that earned them their first - but certainly not their last - hit single.
Produced by Glynn Johns ("You Never Cry Like a Lover" and "Best of My Love") and Bill Szymczyk (everything else) during sessions at Record Plant Studios in Los Angeles and Olympic Studios in London, ON THE BORDER was the first Eagles album with guitarist Don Felder in the lineup, but it could have been a very different album if the guys in the band hadn't tired of Johns' efforts to play country in their rock. Johns' argument was, "The Who is a rock and roll band, and you're not," and you can imagine how well that went over. After working with Johns in London for six weeks, the Eagles returned to L.A., where they teamed up with Szymczyk, and it was during those sessions that Felder joined the band. Admittedly, he joined rather late, so he can only be heard on two tracks - "Good Day in Hell" and "Already Gone" - but it was enough to make a name for himself and be officially accepted into the band.

Always forward-looking, always prolific, Clark left behind a rich legacy of professionally recorded music both released and unreleased. This album introduces previously unreleased studio sessions from Clark's pre-Byrds days in 1964, to his 1982 reunion with former bandmates, Chris Hillman and Michael Clarke, as Nyteflyte. Since his passing in 1991, many of Gene Clark's home demo recordings and various live recordings have been released. Actual studio recording sessions were rare and their existence was more rumor than fact until now! This collection of "lost" studio recordings has been lovingly restored by Sierra Records to ensure the best possible sound quality and is presented here for the very first time. This is essentially an alternate history of Gene Clark's most productive years as a songwriter. To call them revelatory would be to understate their importance.

Malene Mortensen is a Danish jazz singer. She is an unmistakable musical talent. One can only be fascinated by a vocalist who mixes the taste of her own generation with a choice of repertoire and musicians to produce an album of such persuasive and elegant pop- perfumed jazz. On her third album, Malene has combined a set of personal originals with songs that she just plain likes. Some jazz, some pop. However, there is no doubt that Malene Mortensen’s basic approach is that of a jazz vocalist. She dares give her material that essential personal twist - often with surprising results. Her phrasing is blessed with a natural swing, her lyrical interpretations have an easy flow, and her vocal control is supple and virtuosic.

in 1974, the Eagles released their third studio album, an LP that earned them their first - but certainly not their last - hit single.
Produced by Glynn Johns ("You Never Cry Like a Lover" and "Best of My Love") and Bill Szymczyk (everything else) during sessions at Record Plant Studios in Los Angeles and Olympic Studios in London, ON THE BORDER was the first Eagles album with guitarist Don Felder in the lineup, but it could have been a very different album if the guys in the band hadn't tired of Johns' efforts to play country in their rock. Johns' argument was, "The Who is a rock and roll band, and you're not," and you can imagine how well that went over. After working with Johns in London for six weeks, the Eagles returned to L.A., where they teamed up with Szymczyk, and it was during those sessions that Felder joined the band. Admittedly, he joined rather late, so he can only be heard on two tracks - "Good Day in Hell" and "Already Gone" - but it was enough to make a name for himself and be officially accepted into the band.

America is the debut studio album by America, released in January 1972. The album went to the top of Billboard's album chart in the United States and stayed there for five weeks. It produced two hit singles, with "A Horse with No Name" which spent three weeks on top of the Billboard singles chart in 1972, and "I Need You" hit the ninth position on the Billboard singles chart. Several other songs received radio airplay on FM stations, including "Sandman" and "Three Roses". The album was certified platinum for sales in excess of one million units in the United States.

The Gilded Palace of Sin is the first album by the country rock group The Flying Burrito Brothers, released in 1969. It continued Gram Parsons' and Chris Hillman's work in modern country music, fusing traditional sources like folk and country with other forms of popular music like gospel, soul, and psychedelic rock. In 2003, the album was ranked number 192 in Rolling Stone the 500 greatest albums of all time.

At long last, these 24 thought-to-be-lost recordings by the late, great Gene Clark is now in release on Sierra Hybrid SACD and Sierra High Fidelity on 2 LP audiophile vinyl set. These incredible recordings, which have never been released commercially, are from the original analog master studio recording sessions held in Los Angeles between 1964 and 1982. Gene Clark was one of the most influential musical pioneers of the rock era. A pivotal figure at the births of rock music's golden trifecta of hyphenated subgenres (folk, psychedelic and country) in the1960s, he earned his rightful place in the Rock 'n' Roll Hall of Fame as a founding member and principal songwriter of The Byrds.

The Captain and Me is the third studio album by American rock band The Doobie Brothers. It features some of their most popular hits including "Long Train Runnin'", "China Grove" and "Without You". The album is certified 2× Platinum by the RIAA. The album was originally released in Quadraphonic sound on the CD-4 Quadradisc system and also on Quadraphonic 8-track tape. The album was also released in 2002 remixed into 5.1 multichannel DVD-Audio, and on 14 September 2011, on hybrid stereo-multichannel Super Audio CD by Warner Japan in their Warner Premium Sound series.