Earl Hines Once

For a mild-mannered man whose music was always easy on the ear, Nat King Cole managed to be a figure of considerable controversy during his 30 years as a professional musician. From the late '40s to the mid-'60s, he was a massively successful pop singer who ranked with such contemporaries as Frank Sinatra, Perry Como, and Dean Martin. He shared with those peers a career that encompassed hit records, international touring, radio and television shows, and appearances in films.

Erroll Louis Garner (1921-1977) was one of the greatest and most popular pianists in jazz history. At three years of age, being the youngest of six very musical siblings, he was able to play everything by ear, that the family's piano teacher presented to him. Reading sheet music, on the other hand, was of no interest to Garner, who had a phenomenal musical memory. When asked about this, he once said: "You can't hear me reading."

From the start of her career, Sarah Vaughan had a wondrous voice. She never declined and her voice remained a miracle throughout her career. She learned about bop phrasing during 1943-1944 when she was with the orchestras of Earl Hines and Billy Eckstine (singing alongside Dizzy Gillespie and Charlie Parker) and, although she would perform many pop tunes throughout her life, she always phrased like a jazz singer and was never shy to change notes and improvise…

Covering over 50 years of Louis Armstrong's career, this three-CD set from the Verve archives starts in the juke joints and speakeasies of the '20s and ends up documenting his pop hits of the '60s. Chronicling the achievements of a prolific and diverse performer of Anderson's caliber is difficult, but this release gives a strong, broad overview of one of the great pioneers of jazz…

British Jazz pianist George Shearing is joined onstage by Canadian bassist Neil Swanson for this legendary performance captured live at the Philharmonic Hall of Munich and featuring a wide variety of jazz favorites. Professionally shot and instantly captivating, this rare recording of Shearing and Swanson performing together offers everything from Erroll Garner's "Misty" to Duke Ellington's "Come Sunday" and even a moving rendition of Shearing's signature tune "Lullaby of Birdland."

Art Tatum - The Complete Pablo Solo Masterpieces (1991) {7CD Set Pablo Records 7PACD-4404-2 rec 1953-1956}
XLD rip (secure mode) | FLAC (tracks)+CUE+LOG -> 1.76 Gb | MP3 @320 -> 1.19 Gb
Full Artwork @ 600 dpi (png) -> 173 Mb | 5% repair rar
© 1953-56, 1991 Pablo / Fantasy | PACD 4404-2
Jazz / Mainstream Jazz / Swing / Stride / Boogie-Woogie / Piano

During four marathon recording sessions in 1953-55, Norman Granz recorded Art Tatum playing 119 standards, enough music for a dozen LPs. The results have been recently reissued separately on eight CDs and on this very full seven-CD box set. Frankly, Tatum did no real advance preparation for this massive project, sticking mosty to concise melodic variations of standards, some of them virtual set pieces formed over the past two decades. Since there are few uptempo performances, the music in this series has a certain sameness after awhile but, heard in small doses, it is quite enjoyable. A special bonus on this box (and not on the individual volumes) are four numbers taken from a 1956 Hollywood Bowl concert.