Reynold da Silva's Silva Screen Records has been constructing a series of "essential" collections of major film composers' scores usually by making new recordings of portions of those scores or compiling recordings previously made for other projects, most often employing the City of Prague Philharmonic Orchestra. For this Michel Legrand album, the label has actually enlisted Legrand as conductor of the Flemish Radio Orchestra (whose contributions are not noted until you examine the CD booklet), with a few additional jazz musicians, plus Legrand himself on piano and (during the extended suite from The Go-Between) harpsichord. Still, these are new recordings, made in December 2004, and should not be confused with actual soundtrack recordings. Legrand oversees excerpts from some of his most popular scores, leaning heavily on the major themes, such as "I Will Wait for You" from The Umbrellas of Cherbourg, "Theme from Summer of '42," and "The Windmills of Your Mind" from The Thomas Crown Affair.
After establishing himself as a science fiction hero in Planet of the Apes, Charlton Heston went on to do a string of films in this vein. One of the most beloved of these films is The Omega Man, a post-apocalyptic adventure that featured Heston as a scientist battling a vengeful group of mutants as he searched for fellow survivors in the ruins of Los Angeles. One of the most distinctive elements of the film was its score, which was composed by sci-fi vet Ron Grainer (The Prisoner, Dr. Who) and combined traditional orchestral film score elements with strong elements of pop and light jazz. A great example of this style is the film's main theme, "The Omega Man": its first part layers lush strings and gently jazzy horns over a pop-inflected rhythm section and its second part allows a mournful, jazzy trumpet solo to take the fore over a backdrop of acoustic guitar and spacey electronic keyboards. The score also features a preponderance of exciting action cues, like "On the Tumbril" and "Surprise Party," which combine the regal horn arrangements of traditional film music with spacey synths and exciting rock-style drumming. Elsewhere, Grainer shows a gift for crafting easy listening-style melodies on lighter cuts like "Bad Medicine for Richie," which mixes a string-sweetened melody with acoustic guitar and a subtle rhythm section.
The Pink Panther is another fine, early-'60s soundtrack from Henry Mancini. The title track became one of his most recognizable themes and kicks off a pleasant program of dreamy lounge cuts and Latin-tinged numbers. As he did on many other movie/TV albums (Touch of Evil, Peter Gunn, etc.), Mancini also includes some noirish, big band numbers, like "The Tiber Twist" and the main title…
This soundtrack album to the acclaimed BBC television series Blue Planet – Seas of Life is by George Fenton. Isolated from their accompanying videos, soundtrack albums often just don't hold up. Even if you haven't seen this television program, however, that is not the case with the Blue Planet CD. Indeed, the music here works quite well as a "sit down and listen" album. It also seems that the neo-classical arrangements surely capture the mystery, majesty, beauty, playfulness, power, and even terror of the ocean world very well. You may be reaching for a towel after listening to this one.