ec Comics

Promoción editorial: El niño radiactivo, Sonidos de otro mundo!, La máquina que salió de la nada, El hombre eterno, El hombre que corrió contra el tiempo son algunas de las historietas que podemos leer en este primer volumen. Las historias de ciencia ficción de EC Comics eran las preferidas por muchos de sus autores, y ese amor se nota en cada página que pasamos. Seguimos con la recuperación en una edición digna de los mejores cómics de la historia.

CADA LÁPIDA CUENTA UNA HISTORIA . . . ¡ESTOS SON TUS EPITAFIOS DESDE EL ABISMO! En la próxima infame historia de la inmortal EC Comics, nuevas historias de espectáculo fatalista, contadas sin ningún respeto por las normas morales o la decencia pública.

The Vault of Horror was part of Bill Gaines' EC Comics line during the early 1950s. The bi-monthly horror comic, edited by Al Feldstein, began with an issue cover-dated April – May 1950. Over a four-year span, it ran for 29 issues, ending with the December 1954 – January 1955 issue. Johnny Craig was promoted to editor of the comic with issue 35 in February, 1954.
The Vault of Horror originated through the crime comic War Against Crime published by EC in the late 1940s. In 1950, Gaines and Feldstein experimented with horror stories in that title and its companion, Crime Patrol. The Vault Keeper made his first appearance in this title. With issue 12 of War Against Crime, the title was changed to The Vault of Horror, and it became a full fledged horror comic for the remainder of its run. Due to an attempt to save money on second-class postage permits, the numbering did not change with the title change, so the first issue of The Vault of Horror was #12.

At a time when many newspapers are cutting back on their comics sections, DC Comics is looking to remind readers of the fun and excitement a full Sunday-sized comics section can offer. Except they’re going to do it on Wednesdays. This then is the rationale behind DC's , a new 12-part weekly series launched this summer, presented in a 14” x 20” broadsheet format and that will have to be unfolded and opened to be read. The "Wednesday" part of the title refers to the fact new comic books go on sale at comic book stores nationwide every Wednesday. The concept is to try to recapture the spirit, format, and sense of enjoyment that people had from reading the Sunday comics that arrive in newspapers every week. Each issue is 16 pages and each story takes up one full page when folded out. For each issue there will be 15 weekly strips that will be presented in newspaper format, which will feature some of DC Comics' primary characters, as well as some of the premiere creators in the business.

At a time when many newspapers are cutting back on their comics sections, DC Comics is looking to remind readers of the fun and excitement a full Sunday-sized comics section can offer. Except they’re going to do it on Wednesdays. This then is the rationale behind DC's Wednesday Comics, a new 12-part weekly series launched this summer, presented in a 14” x 20” broadsheet format and that will have to be unfolded and opened to be read. The "Wednesday" part of the title refers to the fact new comic books go on sale at comic book stores nationwide every Wednesday. The concept is to try to recapture the spirit, format, and sense of enjoyment that people had from reading the Sunday comics that arrive in newspapers every week. Each issue is 16 pages and each story takes up one full page when folded out. For each issue there will be 15 weekly strips that will be presented in newspaper format, which will feature some of DC Comics' primary characters, as well as some of the premiere creators in the business.

At a time when many newspapers are cutting back on their comics sections, DC Comics is looking to remind readers of the fun and excitement a full Sunday-sized comics section can offer. Except they’re going to do it on Wednesdays. This marks the debut of DC's , a new 12-part weekly series launching this summer that will be presented in a and will have to be unfolded and opened to be read. The "Wednesday" part of the title refers to the fact new comic books go on sale at comic book stores nationwide every Wednesday. The concept is to try to recapture the spirit, format, and sense of enjoyment that people had from reading the Sunday comics that arrive in newspapers every week; and the plan is for 16 weekly strips that will be presented in newspaper format, which will feature some of DC Comics' primary characters, as well as some of the premiere creators in the business.

At a time when many newspapers are cutting back on their comics sections, DC Comics is looking to remind readers of the fun and excitement a full Sunday-sized comics section can offer. Except they’re going to do it on Wednesdays. This marks the debut of DC's , a new 12-part weekly series launching this summer that will be presented in a 14” x 20” broadsheet format and will have to be unfolded and opened to be read. The "Wednesday" part of the title refers to the fact new comic books go on sale at comic book stores nationwide every Wednesday. The concept is to try to recapture the spirit, format, and sense of enjoyment that people had from reading the Sunday comics that arrive in newspapers every week; and the plan is for 16 weekly strips that will be presented in newspaper format, which will feature some of DC Comics' primary characters, as well as some of the premiere creators in the business.

As mentioned in my (posted in Avaxhome by yours truly), after the multi-issue Ultimatum crossover event, Marvel Comics' entire Ultimate imprint will be relaunched under the "Ultimate Comics" brand. is this brand's very first title to be released and this is its very first issue (next is Ultimate Comics Avengers #1, to be posted hereafter). And with no less than Eisner Award-winner Brian Michael Bendis and a new artist on board. Here's to hoping this new ongoing series will turn out OK...

is a 2007 re-release of , originally called the , a series of comic books narrating the concept behind the lyrics of the Coheed and Cambria album of the same name and published by Evil Ink Comics. The series consists of two volumes of five issues each plus a sketchbook. The storyline used in The Amory Wars is also the focus of the band's music, each album released by the band representing a corresponding chapter in the four part science fiction concept originally narrated by Sanchez's lyrics. The new comics release are written by Claudio Sanchez, illustrated by Gus Vasquez (Volume1:issues 1 & 2), Mike S. Miller (Volume 1:issues 3-5), and Gabriel Guzman (volume 2) and published by Image Comics. The first two issues of the new series are almost exactly the same as the originals, although with new art work, the third issue continues the story from where the old comics finished.