Giulio Mazzarino, better known as Cardinal Mazarin, played an important part in the dissemination of Italian music in France in the 17th century. From 1643, when he was appointed prime minister, to his death in 1661, he carried out an astute policy in favour of Italian culture, inviting the most famous Italian composers and performers to the French court. This disc presents a number of pieces, mainly by Italian composers, which became well known in France in the 17th century through Mazarin’s support.
The incomparable richness of medieval repertory in the harmonia mundi catalogue makes this compilation an indispensable reference for a first taste of music from the earliest times. In a programme lasting nearly two hours, listeners are guided from ancient Greek music to the first appearances of Gregorian chant, followed by an interlude with the music of the troubadours and the Carmina Burana. After this they can explore the inventions of the Ars Nova and Ars Subtilior, which will introduce them, finally, to the Franco-Flemish musical empire of the Renaissance. A unique itinerary, entirely devoted to thrilling discoveries and musical passions!
This recording offers us a close look into Michael Haydn's musical activities for the church, the court and its surroundings. The Missa is perfectly in accord with the then current ideals for reform in the Catholic Church: functional, short, simple, modest and linked to the Gregorian tradition. It is amazing how Haydn was able to compose such varied, lively and attractive music within these strict guidelines.
This recording offers us a close look into Michael Haydn's musical activities for the church, the court and its surroundings. The Missa is perfectly in accord with the then current ideals for reform in the Catholic Church: functional, short, simple, modest and linked to the Gregorian tradition. It is amazing how Haydn was able to compose such varied, lively and attractive music within these strict guidelines.
This spectacular set features a quintessential selection of western sacred music that that will please one and all, from an inquisitive novice to a discerning connoisseur.
It features a vast array of critically acclaimed recordings of more than seventy cornerstone works, ranging from the earliest Christian chants to gospel songs and Gershwin's blues.
The album, which is being released by Supraphon in its Music of the 18th-century Prague series, is focused on works by the important lutenist and composer, Count Jan Antonín Losy (1651–1721), looking at them from an unusual point of view. The album, aptly called Losy, Weiss: Lute Music in Prague and Vienna, circa 1700, also presents compositions originally written for lute, in alternative but original period versions. Historical instruments player, teacher, researcher and producer Jan Čižmář recorded the music with the Polish {oh!} Ensemble, headed by violinist Martyna Pastuszka. The result is a revealing album premiering some of Losy’s lute compositions in unusual and varied sound versions and is being released by Supraphon on 24 May 2024 on CD and in digital formats.
The album, which is being released by Supraphon in its Music of the 18th-century Prague series, is focused on works by the important lutenist and composer, Count Jan Antonín Losy (1651–1721), looking at them from an unusual point of view. The album, aptly called Losy, Weiss: Lute Music in Prague and Vienna, circa 1700, also presents compositions originally written for lute, in alternative but original period versions. Historical instruments player, teacher, researcher and producer Jan Čižmář recorded the music with the Polish {oh!} Ensemble, headed by violinist Martyna Pastuszka. The result is a revealing album premiering some of Losy’s lute compositions in unusual and varied sound versions and is being released by Supraphon on 24 May 2024 on CD and in digital formats.