Echoes of Giants is a melodic progressive rock band formed in 2004 by childhood friends Wes Bolton and Tracy Thomas. Based on a deep love of all manner of music, Echoes of Giants became a creative outlet for Wes and Tracy to experiment sonically and share stories. Joined by bassist Rick Kaufmann for final writing/production sessions and vocalist Joey Myers for recording sessions, “At the End of Myself was released in 2013. An ambitious personal narrative, “At the End of Myself” received positive reviews and connected with people nearby as well as those far from the Missouri town where Echoes of Giants began…
Echoes of Giants consists of Wes Bolton playing guitars and programming, Tracy Thomas on keyboards, Malletkat (a mallet-driven synth controller), drums, percussion and programming, and Rick Kaufmann on bass. Their first album was released in July of 2013, and contains a mixture of neo-progressive rock, laid-back midwest rock, and Pink Floyd flavored moodiness.
Shorty Rogers' Jazz Waltz is exactly that, an exploration of ten compositions played in waltz settings. Only these big-band charts are hardly the waltzes heard on Lawrence Welk's long-running television series. Rogers kicks off with a swinging number ("I'm Gonna Go Fishin'") written by Duke Ellington for the soundtrack to the film Anatomy of a Murder and featuring the leader's rich flügelhorn. The lyrical take of the centuries-old folk melody "Greensleeves" alternates between the tense rhythm section and Bud Shank's gorgeous flute solo. Rogers' delightful "Be as Children" almost sounds as if it was adapted from a gospel song. The brisk treatment of Ellington's "Echoes of Harlem," featuring Paul Horn on flute, is refreshing. Only Bobby Scott's "A Taste of Honey" is the least bit disappointing, simply because this arrangement isn't quite as adventurous as the rest of the album.
Shorty Rogers' Jazz Waltz is exactly that, an exploration of ten compositions played in waltz settings. Only these big-band charts are hardly the waltzes heard on Lawrence Welk's long-running television series. Rogers kicks off with a swinging number ("I'm Gonna Go Fishin'") written by Duke Ellington for the soundtrack to the film Anatomy of a Murder and featuring the leader's rich flügelhorn. The lyrical take of the centuries-old folk melody "Greensleeves" alternates between the tense rhythm section and Bud Shank's gorgeous flute solo. Rogers' delightful "Be as Children" almost sounds as if it was adapted from a gospel song. The brisk treatment of Ellington's "Echoes of Harlem," featuring Paul Horn on flute, is refreshing. Only Bobby Scott's "A Taste of Honey" is the least bit disappointing, simply because this arrangement isn't quite as adventurous as the rest of the album.
Features 24 bit remastering and comes with a mini-description. Don't think "waltz music", think "modal jazz" – because the version of jazz waltz that Shorty Rogers serves up here is a great precursor to the great grooves to come on the European scene – especially the work from the artists at MPS Records! Tunes all have this great rhythmic pulse – a way of leaping into a groove that has the piano and bass dancing together wonderfully – often with some cool vibes from Emil Richards, and loads of great reed lines from Bud Shank and Paul Horn! Some tracks feature a small combo, some feature a larger group – and the whole thing is wonderful – with energy that almost rivals the Clarke Boland Big Band with Gigi Campi. Titles include "Be As Children", "Walk On The Wild Side", "Jazz Waltz", "Terrence's Farewell", and "A Taste Of Honey".
After performing hundreds of concerts throughout Europe, enchanting thousands of people and playing festivals alongside all time greats like Jethro Tull, Joe Cocker, Manfred Mann and Asia, Echoes are now one of the premier Pink Floyd Tribute Bands. To echo the music has never been enough for this band and so the elaborate live shows convey the grandeur in all its facets.
In 2014 "Pink Floyd’s star pupils" (Vogtland-Anzeiger) ventured a new course and on top of their typically atypical renditions of Pink Floyd’s music they dared an experiment: the Pink Floyd acoustic concert - no amps, no safety net and no smoke and mirrors…