The EVA labels were a group of sisterlabels made for compilations and Best-Of albums released as joint ventures between the national divisions of EMI, Virgin and Ariola. The label became active in 1984 but is now defunct in all countries. Early EVA albums were released with the logos of the three individual labels. Sometimes the label name EVA was not mentioned on those releases.
The EVA labels were a group of sisterlabels made for compilations and Best-Of albums released as joint ventures between the national divisions of EMI, Virgin and Ariola. The label became active in 1984 but is now defunct in all countries. Early EVA albums were released with the logos of the three individual labels. Sometimes the label name EVA was not mentioned on those releases.
This is the most comprehensive collection of the rockabilly era that was ever assembed in one box. On these 40CDs there are 1000 carefully chosen songs. A booklet is also included with information, biographies and many rare illustrations.
Gigantic eight record box, this comes the closest to documenting the wide breadth of blues recordings done by Sam Phillips at the Sun studios in Memphis during the early 50s. A landmark achievement.
This multi-disc set has most of the major blues classics of the late 1940's and 1950's that went on to spawn the rock era; from Ike Turner and Rocket 88 to Howlin' Wolf's best sides. Sam Phillips and Sun Records got every major player south of Chicago to record there sooner or later–and even some who had done work in Chicago came back to do work in the landmark Memphis studio (which is a GREAT tourist destination!).
First the good news, which is really good: the sound on this 340-song set is about as good as one ever fantasized it could be, and that means it runs circles around any prior reissues; from the earliest Aristocrat sides by the Five Blazers and Jump Jackson & His Orchestra right up through Muddy Waters' "Going Down to Main Street," it doesn't get any better than this set. The clarity pays a lot of bonuses, beginning with the impression that it gives of various artists' instrumental prowess. In sharp contrast to the past efforts in this direction by MCA, however, the producers of this set have not emasculated the sound in the course of cleaning it up, as was the case with the Chuck Berry box, in particular.
The first Stax-Volt box was a monolith, standing as the definitive document of the labels and, therefore, gritty Southern soul. Its sequel, The Complete Stax-Volt Soul Singles, Vol. 2: 1968-1971 is considerably more problematic. Covering only four years compared to its predecessor, which showcased nine years, Vol. 2 contains 216 tracks, including all of the A- and B-sides released during that era.
Sessions is Union Square Music’s 2CD urban and dance music range. Aimed at both the hardened dance music fan and the impulse purchaser, each Sessions title is packed full of hit singles, big club tracks and a choice selection of forgotten gems and underground classics picked out by our expert crate-digging compilers. Strong generic packaging including an outer slipcase, informative sleeve notes and a low price in the shops have made Sessions one of our most popular labels.
As soul music moved into the early '70s, it became dominated by smoother sounds and polished productions, picking up its cues from Motown, Chicago soul, and uptown soul. By the beginning of the decade, soul was fracturing in a manner similar to pop/rock, as pop-soul, funk, vocal groups, string-laden Philly soul, and sexy Memphis soul became just a few of the many different subgenres to surface. Often, the productions on these records were much more polished than '60s productions, boasting sound effects, synthesizers, electric keyboards, echoes, horn sections, acoustic guitars, and strings.