Edition 2019

Produced in a limited and numbered edition of 8,000 copies, the 4CD/2LP 180-gram vinyl set comes packaged in a 12 x 12 hardcover book. It’s accompanied by new liner notes written by legendary record producer and musician Steve Albini and Ed Stasium, who produced and engineered It’s Alive and remastered all of the music included in this collection.

Taking its name from a 1974 horror film, It’s Alive was the last album to feature all four original band members: Dee Dee Ramone, Joey Ramone, Johnny Ramone and Tommy Ramone. All four concerts included in the new Deluxe Edition capture the band in peak form as they storm through dozens of songs from the group’s influential catalog. IT’S ALIVE: 40th ANNIVERSARY DELUXE EDITION features all four concerts that were professionally recorded during the Ramones’ U.K. tour in December 1977, three making their debut release: Top Rank, Birmingham (December 28, 1977); Victoria Hall, Stoke-On-Trent (December 29, 1977); Friars, Aylesbury (December 30, 1977); and The Rainbow Theatre, London (December 31, 1977).

Third studio album from the English rock band. Originally released in 1974, 'Phenomenon' marked a more rockier sound for the group, leaving behind their more blues-based tunes of old. This deluxe edition features eight bonus live tracks from their November 5th, 1974 Electric Ballroom show in Atlanta, GA. Guitarist Michael Schenker's impact upon UFO's career cannot be overestimated. Before the German teenager's arrival (he was only 19 when he jumped ship from the Scorpions), the British rockers' early albums of half-baked space rock had been completely ignored everywhere but Japan.

Whitesnake scored its first platinum-selling album in 1984 with Slide It In, a release that has sold more than six million copies worldwide thanks to hard-rocking songs like “Love Ain’t No Stranger,” “Slow An’ Easy” and the title track. The classic album turns 35 this year!

For this 2019 ‘special edition’ of the “Mr Bad Guy” album, sound team Justin Shirley-Smith, Joshua J Macrae and Kris Fredriksson have taken the very best original source material available. They went back not to previously remastered and mixed tapes, but to the original source multi-track tapes, so that they could build a new mix true to Freddie’s original versions, now taking advantage of the time, resources and technology that Freddie may not have originally had available to him in the 1980s. All offer ultimate quality, first generation vocals showing off Freddie’s incredible vocal range.

A due decadi da Infinito Tour, Sony Music completa la trilogia iniziata con Spirito e Mondi Sommersi pubblicando Infinito Legacy Edition in una inedita versione completamente rimasterizzata dalle registrazioni originali. I dischi sono stati realizzati a partire dalle registrazioni originali acquisite da nastri master stereo e multipista. Particolare cura è stata posta nel preservare il contenuto dei supporti analogici e nel trattamento termico dei nastri prima del processo di lettura…

2025 edition. Kali Malone’s The Sacrificial Code is the 2019 breakthrough album of the acclaimed composer’s pipe organ pieces. Her temporally informed studies of harmonics and intonation breathed life into a suite of compositions which leaves the heart moved and mind still. This 2025 edition was mastered by Rashad Becker and features a new track Sacrificial Code III. Pitchfork praised the album for its "time-stretching properties" and "clean minimalism". Resident Advisor described the album as an "exercise in concentration, restraint, and focus". Tiny Mix Tapes emphasized the "intensity and intimacy" of the album, pointing out how Malone's close miking technique brings out every textural detail of the organ, creating a highly focused and immersive listening experience.

Long before the raw power of punk icon Iggy Pop became legend, his first incarnation as Iggy Stooge of proto-punk trailblazers The Stooges roared into being. The essence of punk years before the genre existed, The Stooges' furious music was a howling, visceral, fuzztone-drenched, and unprecedented vortex of sound, as evidenced on their revolutionary self-titled, John Cale-produced 1969 debut album. Their bracing follow-up, Fun House portrayed their evolution into a fiercer, stronger band with Iggy's primal vocals and mad brilliance more potent than ever.

Though wildly misunderstood when first released (like most art that’s ahead of its time), Gene Clark's third solo album—his most focused and intricately-produced shot at musical immortality—is now revered as something of a lost masterpiece. Expectations were high for the former Byrd, who had signed a solo deal after he’d been the bright spot in the band’s abortive 1973 reunion.