Edition

"FlatOut" - a visual computer race from all released to date. A unique feature of FlatOut is a previously unattainable level of implementation of the physical model. Fence spread apart, rows of tires on the sides of trails razletayutsya in all directions, jerry cans with water and drums bounce and cause damage to other vehicles. With the loss of driving you will feel all of its mass and inertia, and collisions and accidents with 40 different parts of the machine can otletet or deform.

Dungeon Lords is a new breed of epic Fantasy RPG, a unique combination of RPG and Fighter game action in full 3D, featuring a deep storyline shrouded in mystery, surprise, and betrayal. Dungeon Lords is loaded with quests, personal missions, extensive skills and special abilities for customizing your own character hero from a variety of races and multiple class specializations, as you journey through an enchanted land of ancient castles, dark forests, and dungeon lairs braving an army of diabolical foes in real time action packed combat to uncover the secrets lying hidden within the depths of an evolving storyline. Dungeon Lords can be played either single-player stand alone, or in multi-player group sessions.

Titan Quest Gold - collection reprints the popular RPG, which included: the original Titan Quest, role-playing game from the creators of Age of Empires Brian Sullivan, which passed with fighting the Parthenon, the maze Knossky, the Great Pyramids and the Hanging Gardens Semiramida …

In 1974 Marvel introduced us to something a heck of a lot larger than good old Giant-Size comics: . The treasury format is an oversized soft-cover format which was seen a few times in the 70's. Tabloid-sized 10” x 13” suckers that were so big (roughly twice the size of normal comic books), they fell over on the newsstand. Most of these issues included at least a few pages of original material, even if the bulk of the content consisted of reprints. Awkward to store properly, these are not expensive, but it is hard to find them in good condition now. All in all twenty-eight (28) Treasury Editions were published. I could say "complete" on the post title but I'm uncomfortable with that nomenclature; for one issue #12 featuring Howard the Duck and the Defenders (Dr. Strange, Namor the Sub-Mariner, the Silver Surfer and the Hulk) incomplete. Instead of eighty-four (84) pages there are only thirty-five (35 - including cover) in the CBZ file. Nevertheless, the rest seem complete. I say "seem" because I am barely halfway through reading all 28 comic books.

UFO: Extraterrestrials GOLD is a new GOLD edition which includes a number of changes and improvements giving a player a new look on the classic game: new maps, possibility to hire soldiers, globe UFO swarms and configurability. UFO: Extraterrestrials GOLD represents fiction in which the human race faces a threat from space, aimed to be a spiritual sequel developed by Chaos Concept. The game picks up where the original left off, incorporating a twist of the aliens defeating Earth. The game is set on a newly colonized planet named Esperanza, where the alien threat has just arrived.

At a late stage of composition, Meyerbeer changed the name of his opera L'Africaine to Vasco da Gama and completed it the day before his death in 1864. The Belgian musicologist and composer François-Joseph Fétis then made changes and created a performance version from the extensive score material, retaining the title L'Africaine, before the opera was premiered in April 1865. The plot revolves around the famous Portuguese navigator and a series of love entanglements depicted in a magnificent Grand Opéra. This production is based on the critical edition of the full score and reflects Meyerbeer's original intentions.

At a late stage in its composition Meyerbeer changed the name of his opera L’Africaine to Vasco da Gama and completed it the day before he died in 1864. Changes were then made by the Belgian musicologist and composer François-Joseph Fétis who prepared a performing version from the extensive score material, retaining the title L’Africaine, before the opera’s premiere in April 1865. The plot concerns the famed Portuguese navigator and his series of love entanglements cast as a magnificent grand opéra. This production is based on the critical edition of the full score and reflects Meyerbeer’s original intentions.