Elaine Ryan

Blue Engine Records proudly releases Freedom, Justice, and Hope, the live recording of Jazz at Lincoln Center’s multidisciplinary concert that contextualizes jazz within Black Americans’ pursuit of equality. Featuring the Jazz at Lincoln Center Orchestra with Wynton Marsalis in creative collaboration with social justice activist and founder of The Equal Justice Initiative Bryan Stevenson, the recording features new arrangements of some of the most important protest songs in jazz history and new works by featured guest artists Endea Owens and Josh Evans.

Collection of 30 CDs on various styles (Love, Movies, R&B, Country, World and Rock). Although you may find the collection a bit outdated since the release is from 2001, it contains some great songs… so enjoy.

Issued in 2020, ‘Bubblerock Is Here To Stay’ shone a spotlight on the lost and often murky world of early 70s British Pop, a scene largely controlled by old-fashioned, Denmark Street- based production/songwriting teams as the Rock world concentrated on the album market. Another four-hour 3CD set, ‘Bubblerock Is Here To Stay Volume Two’ treads the same neglected path to deliver more mouldy old dough from the era's backroom boys: crack songwriting teams (Cook/Greenaway, Carter/Lewis, Chinn/Chapman), hit-or-bust producers (Phil Wainman, Jonathan King), session singers (Tony Burrows, Sue And Sunny), and writers-turned-performers (Lynsey de Paul, Barry Blue, Phillip Goodhand- Tait).

The 80s Compilation market is a minefield - a lack of variety, re-recorded versions, poor sound quality among the pitfalls - but Demon Music Groups' "100 Hits" series have been the pick of the bunch in recent times…