A pair of early 80s fusion sets from Al Di Meola – 1980's Splendido Hotel and '82's Electric Rendezvous – in a single package! Splendido Hotel is one of the most stylistically sprawling fusion efforts we can think of – with a vibe that stretches from spacey atmosherics, to muscular riffing, to Latin and Middle Eastern influences – and that's just the in the opening track! The personnel is pretty amazing – with Eddie Colon, Jan Hammer, Les Paul and Chick Corea contribution. Includes "Alien Chase On Arabian Desert", "Silent Story In Her Eyes", "Two To Tango", "I Can Tell", "Spanish Eyes", "Bianca's Midnight Lullaby" and more. Electric Rendevous is another wildly eclectic and far reaching fusion groover from guitarist Di Meola – with a number of players from the Slendido Hotel set, including Jan Hammer, Philippe Saisse, Steve Gadd and Anthony Jackson. Titles include "God Bird Change", "Electric Rendezvous", "Cruisin'", "Ritmo De La Noche", "Jewel Inside A Dream".
Hollywood never learns. Hot on the heels of box-office failures Sgt. Pepper's Lonely Hearts Club Band and Can't Stop the Music, comes the roller-skating Olivia Newton John in Xanadu. This soundtrack is fluff stuff to be sure, but some pearls float amongst the mire. Lead-off "Magic" remains a fine single…
The seeds of Pacific Gas & Electric were sown in Los Angeles back in 1966 when self-taught guitarist Tom Marshall formed Bluesberry Jam, whose ranks included drummer Charlie Allen. Allen turned out to be such a fine vocalist that he ended up becoming the frontman; his drum chair was filled by Adolfo de la Parra in 1968. Later that year, de La Parra left to join Canned Heat, replacing Frank Cook who then joined Bluesberry Jam. After adding guitarist Glenn Schwartz and bassist Brent Block later in 1968, the group changed their name to Pacific Gas & Electric.
Their first album, Get It On, was released by Kent in 1968, but failed to make much of an impact. However, following their appearance at the Miami Pop Festival in late 1968, Pacific Gas & Electric signed with Columbia, who released Pacific Gas & Electric in 1969…
The seeds of Pacific Gas & Electric were sown in Los Angeles back in 1966 when self-taught guitarist Tom Marshall formed Bluesberry Jam, whose ranks included drummer Charlie Allen. Allen turned out to be such a fine vocalist that he ended up becoming the frontman; his drum chair was filled by Adolfo de la Parra in 1968. Later that year, de La Parra left to join Canned Heat, replacing Frank Cook who then joined Bluesberry Jam. After adding guitarist Glenn Schwartz and bassist Brent Block later in 1968, the group changed their name to Pacific Gas & Electric.
Their first album, Get It On, was released by Kent in 1968, but failed to make much of an impact. However, following their appearance at the Miami Pop Festival in late 1968, Pacific Gas & Electric signed with Columbia, who released Pacific Gas & Electric in 1969…
Inattentive consumers picking up this album because they confuse it as being by the testicularly challenged American glam rockers will be in for quite a surprise. This is the Canadian band named Slaughter, and their lone 1987 album, Strappado (named after a medieval torture tactic that had victims suspended by their hands, while these were tied behind their backs), contained improbably raw blackened thrash reminiscent of the earliest works of Voivod or, say, Sepultura…