Electronic Idiot Country

Electronic - Electronic (1991) [2CD Special Edition 2013]  Music

Posted by gribovar at Oct. 18, 2023
Electronic - Electronic (1991) [2CD Special Edition 2013]

Electronic - Electronic (1991) [2CD Special Edition 2013]
EAC Rip | FLAC (tracks+.cue+log) - 815 MB | MP3 CBR 320 kbps (LAME 3.93) - 263 MB | Covers - 230 MB
Genre: Synth-pop | RAR 3% Rec. | Label: Parlophone Records (5099990743122)

Both more and less than what a partnership of Sumner and Marr would promise, Electronic's debut has weathered time much better than might have been thought upon its release, but ultimately only half works. When it does, though, it's fantastic, sometimes shifting from okay to fantastic within the same song. Opening number "Idiot Country" is a bit like that - the beginning sounds a little too rushed, Marr's heavy wah-wah riff OK enough but Sumner's semi-rap/semi-sung vocals a bit ham-handed. By the time the full combination of gentle keyboards, crisp rhythms, and the gentle, reflective chorus comes to bear, though, everything feels just great. Perhaps understandably Electronic leans much more toward New Order than the Smiths - Marr had already proven his desire to work in dance-crossover since his previous band's breakup, while Sumner's immediately recognizable, melancholic vocals call to mind New Order's rich history…
Electronic - Get The Message - The Best Of Electronic (2006/2023)

Electronic - Get The Message - The Best Of Electronic (2006/2023)
WEB FLAC (tracks) - 1.06 GB | MP3 CBR 320 kbps - 357 MB
2:30:14 | Alternative Dance, Dance-Rock, Alternaticve Rock, Synth-pop | Label: Rhino

Electronic are proud to announce the reissue of ‘Get the Message: The Best Of Electronic’ on CD featuring B-sides, remixes, and rare tracks, available via Warner Music on 29th September. First released in 2006, ‘Get the Message: The Best Of Electronic’ is the career spanning collection from the Johnny Marr and Bernard Sumner band who released a string of critically acclaimed hits including their debut single ‘Getting Away With It’, ‘Get The Message’ ‘Disappointed’ and ‘Feel Every Beat’. This compilation captures the very essence of their groundbreaking sound, blending Marr’s distinctive guitar work with Sumner’s vocals and guest features from Pet Shop Boys’ Neil Tennant (Getting Away With It, Disappointed) and Kraftwerk’s Karl Bartos (For You, Imitation Of Life).

So Much Light - Oh, Yuck (2017)  Music

Posted by Domestos at Aug. 31, 2017
So Much Light - Oh, Yuck (2017)

So Much Light - Oh, Yuck (2017)
WEB FLAC (tracks) ~ 261.89 Mb | 40:54 | Cover
Indie Pop, Electronic, Pop | Country: USA | Label: Anti/Epitaph

Damien Verrett’s latest effort as So Much Light is a true wonder of indie synth-pop. Filtering mainstream pop through his unique instrumentation and imagination, he makes something worthy of top 40 play but so much more at the same time. While it does run into a few eccentric fall backs and stumbling moments, the clever sound and overall delivery will have you excited for his follow up and future collaborations.

Amy Shark - Love Monster (2018)  Music

Posted by Domestos at July 25, 2018
Amy Shark - Love Monster (2018)

Amy Shark - Love Monster (2018)
EAC Rip | FLAC (tracks+.cue, log) ~ 296.14 Mb | 47:12 | Cover
Indie Pop, Indie Rock, Electronic | Country: Australia | Label: Sony Music - 19075854422

“For so long, I didn’t have to talk about my music because I didn’t have anyone listening,” Australian pop sensation Amy Shark tells Apple Music, “so I was just using it for therapy.” That changed when the 2016 single “Adore” went triple-platinum in her home country, paving the way for a debut album featuring collaborations with Jack Antonoff and one of her heroes, blink-182’s Mark Hoppus. Working with such big names only made her feel more comfortable with herself and with presenting soul-baring material. “The biggest lesson was to just be confident and voice your opinion,” she says of co-writing the blissful “All Loved Up” with Antonoff. With that confidence came honesty, openness, and a sound—and story—that is definitively her own, but relatable to anyone. “I think that’s why people like it,” she says. “They need it.”