Ella Ray

Ella Fitzgerald - The Complete 1960-1961 Ella In Berlin (2017) {Essential Jazz Classics EJC55719}
EAC rip (secure mode) | FLAC (tracks)+CUE+LOG -> 509 Mb | MP3 @320 -> 318 Mb
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© 1960-61, 2017 Verve / Essential Jazz Classics | EJC55719
Jazz / Classical Jazz / Vocal Jazz / Standards

Its Ella Fitzgerald so it is going to be a delight to listen to, The original album called Mack The Knife : Ella In Berlin is a live album recorded, well you guess where! It includes the wonderful improvised version of Mack The Knife where Ella forgets the words and improvises a whole new song and this song contains what is great about this album also what is great about Ella Fitzgerald and that is the sheer unalloyed joy in singing it comes across in the giggling thank yous between songs and her rapport with band and audience, also included is a wonderful version of How High The Moon and Too Darn Hot. This expanded version also incudes another concert from Berlin with another version of Mack The Knife as well as tracks from a concert in Cannes and the Hollywood Bowl. So what's not to like it's Ella at her height doing what she enjoyed doing, it is a joy.

It should come as no surprise that the first collaboration between Ella and Louis was so successful that it was quickly followed by a sequel—and a double album, no less. Even the dumbest A&R man could anticipate the potential magic in the pairing; both singers were at the peak of their popularity in 1957, straying from their jazz roots yet becoming influential and noteworthy interpreters of popular song in the process. Both share a penchant for mirthful clowning and light banter, yet Armstrong’s burnished growl and Ella’s brassy swagger couldn’t be more different and still complement each other superbly. Make no mistake, this is clearly a vocal album—the only solos are Armstrong’s, and they’re few and far between—yet the music choices and delivery are enough to sustain the entire package. ~ AllAboutJazz

Classic performances by Ella Fitzgerald, the queen of the jazz/soul singers backed up by one of the biggest of the big band leaders, Count Basie, and his illustrious orchestra.
"The First Lady of Song," Ella Fitzgerald was arguably the finest female jazz singer of all time (although some may vote for Sarah Vaughan or Billie Holiday). Blessed with a beautiful voice and a wide range, Fitzgerald could outswing anyone, was a brilliant scat singer, and had near-perfect elocution; one could always understand the words she sang. The one fault was that, since she always sounded so happy to be singing, Fitzgerald did not always dig below the surface of the lyrics she interpreted and she even made a downbeat song such as "Love for Sale" sound joyous.