Having a String Choir perform The Music of Paul Motian is certainly an attention-grabber if one knows anything about Paul Motian's contributions to the jazz world. Motian is a veteran drummer and a composer, not a member of a chamber group (although he started out on guitar early in his career before making the drums his main instrument). So what does a Motian-related project have to do with strings? This early-2010 recording, it turns out, finds guitarist Joel Harrison paying tribute to Motian with the help of fellow guitarist Liberty Ellman and a string quartet consisting of Christian Howes and Sam Bardfeld on violin, Dana Leong on cello, and Mat Maneri or Peter Ugrin on viola.
New York City can be like a jungle. With a menagerie of people intermingling in seemingly never ceasing action, the City has ecosystems within ecosystems. Vibraphonist/composer Yuhan Su has been inspired by her chaotic new home and her experiences with the individuals she has met there. Her new recording, City Animals, captures her enthusiasm for the craziness of the City and the adventures she has had since her arrival. Originally from Taiwan, Su came to the States in 2008 to further her music studies at Berklee College of Music in Boston, where she expanded her classical percussion knowledge to the world of jazz and improvisation. In 2012, Su moved to New York; she fell in love with the City and immediately immersed herself in the wilds of the jazz scene.
In for a Penny, In for a Pound is the latest installment in saxophonist/ flutist/composer Henry Threadgills ongoing exploration of his singular system for integrating composition with group improvisation. The music for his band Zooid his main music-making vehicle for the past fourteen years and the longest running band of his illustrious forty plus-year career is no less than his attempt to completely deconstruct standard jazz form, steering the improvisatory language towards an entirely new system based on preconceived series of intervals. His compositions create a polyphonic platform that encourages each musician to improvise with an ear for counterpoint and, in the process, creating striking new harmonies.