This Impulse! session co-led by drummer Elvin Jones and bassist Richard Davis finds the pair joined by tenor saxophonist Frank Foster and pianist Billy Green. The quartet performs an erratic but generally interesting set of music including "Shiny Stockings," Foster's funky "Raunchy Rita," and "Elvin's Guitar Blues"; the latter briefly features Jones making his first and only appearance on guitar.
Although this superior set features three of the top Young Lions (tenors Joshua Redman and Javon Jackson and trumpeter Nicholas Payton), along with the fine bassist George Mraz, drummer Elvin Jones, 64 at the time, sounds like the youngest member of the group. The well-rounded CD has individual features for Redman ("Angel Eyes"), Payton ("Body and Soul") and Mraz ("My Romance"), along with the leader (the unaccompanied drum solo "Ding-A-Ling-A-Ling"), and has consistently inspired playing from all of the musicians. An excellent effort.
This 1999 live set features the great drummer Elvin Jones leading an all-star group. The repertoire, comprised of three jazz standards (including John Coltrane's lesser-known "Wise One"), three originals and an adaptation of a folk song, generally featuring one or two soloists on each cut. The straight-ahead and basic "E.J.'s Blues" has spots for trumpeter Darren Barrett (who sounds a bit like Freddie Hubbard) and Jones, while "Straight No Chaser" puts the spotlight on trombonist Robin Eubanks (in a J.J. Johnson mood), pianist Carlos McKinney and the drummer.
A overlooked gem in Elvin Jones' Blue Note career – and an album that's virtually the blueprint for the Stone Alliance sound forged later in the decade by bassist Gene Perla and reedman Steve Grossman! Both players are working to full effect on this smoking little set – mixing some of the more spiritual modes of other group members with their own sharper-edged, funky-leaning styles – all held together perfectly by both Jones' tight work on drums, and his expansive musical vision! Other players are great too – and include Pepper Adams on baritone sax, David Liebman on flute and tenor, and Jan Hammer on acoustic piano – an instrument he handles with surprising subtlety and soul. Many cuts have a hard, choppy groove – and titles include a remake of "Gee Gee", plus "One's Native Place", "Mr Jones", and "What's Up – That's It".