New 2016 remaster, includes booklet with 2016 band interviews & rare band photos.
Upon its release, the 1973 LP Brain Salad Surgery had been hailed as Emerson, Lake & Palmer's masterpiece. A long tour ensued that left the trio flushed and begging for time off. Before disbanding for three years, they assembled a three-LP live set (something of a badge of achievement at the time, earned by Yes in 1973 with Yessongs and, somewhat more dubiously, Leon Russell with Leon Live). Welcome Back My Friends to the Show That Never Ends gives a very accurate representation of ELP's shows at the time, including their uncertain sound quality. It isn't that the group didn't try hard to give a good show; they did, but left to just his two hands, without the use of multi-tracking and overdubs to build layer-upon-layer of electronic keyboard sounds, Keith Emerson was at a singular disadvantage on some of the boldest material in the trio's repertory…
After the rather dull Works, Vol. 1, the highly underrated Works, Vol. 2 is a godsend. Works, Vol. 1 took their pompous, bombastic, keyboard-driven prog rock epics to the limit; had it been stripped of its excesses and coupled with the strongest cuts from Works, Vol. 2, the band may have had an enormous success with critics and fans alike. Volume 2's brief, eclectic compositions cover an array of musical styles, combining stimulating originals and handsomely orchestrated renditions of "Maple Leaf Rag," "Honky Tonk Train Blues," and "Show Me the Way to Go Home." Lake peppers the tunes with guitar and bass flourishes, resulting in some of his most challenging instrumental work, and both he and Palmer deliver incredibly strong performances…
Emerson, Lake & Palmer's 1970 eponymous LP was only a rehearsal. It hit hard because of the novelty of the act (allegedly the first supergroup in rock history), but felt more like a collection of individual efforts and ideas than a collective work. All doubts were dissipated by the release of Tarkus in 1971…
Emerson, Lake & Palmer's 1970 eponymous LP was only a rehearsal. It hit hard because of the novelty of the act (allegedly the first supergroup in rock history), but felt more like a collection of individual efforts and ideas than a collective work…
Black Moon is the eighth studio album, and the first in four years, by progressive rock band Emerson, Lake & Palmer, released in 1992. The album received mixed reviews. It did not receive the acclaim of Tarkus or Brain Salad Surgery…
2016 three CD collection from the iconic prog rock trio. Produced by Greg Lake, this career-spanning set has 39 tracks from the years 1970 to 1998, with the choice of material approved by the band. It is presented in special casebound book packaging with detailed, informative sleeve notes, and illustrated with rare band photographs. Among the highlights are "Karn Evil 9," "Still… You Turn Me On," the band's performance of Aaron Copland's "Hoedown," their version of "Jerusalem," "Fanfare For The Common Man," Emerson's rendition of "Honky Tonk Train Blues," Lake's 1975 solo hit "I Believe In Father Christmas" and the group's interpretation of the TV theme "Peter Gunn."
Emerson, Lake & Palmer's 1970 eponymous LP was only a rehearsal. It hit hard because of the novelty of the act (allegedly the first supergroup in rock history), but felt more like a collection of individual efforts and ideas than a collective work. All doubts were dissipated by the release of Tarkus in 1971. Side one of the original LP is occupied by the 21-minute title epic track, beating both Genesis' "Supper's Ready" and Yes' "Close to the Edge" by a year. Unlike the latter group's cut-and-paste technique to obtain long suites, "Tarkus" is a thoroughly written, focused piece of music. It remains among the Top Ten classic tracks in progressive rock history…