Encodeur

Le Dernier Templier (Saison 1) - Tome 1 - L'encodeur  Comics

Posted by iBooker at Sept. 19, 2017
Le Dernier Templier (Saison 1) - Tome 1 - L'encodeur

Le Dernier Templier (Saison 1) - Tome 1 - L'encodeur
French | CBZ | 51 pages | 74 MB

Julie London - Twin Best Now [2CD] (1992) [Japan] *Repost*  Music

Posted by BlondStyle at March 27, 2019
Julie London - Twin Best Now [2CD] (1992) [Japan] *Repost*

Julie London - Twin Best Now [2CD] (1992) [Japan]
Jazz, Vocal, Vocal Pop | EAC Rip | FLAC, Tracks+CUE+LOG+Scans (JPEG) | 01:48:30 | 614,24 Mb
Label: Liberty/Toshiba-EMI Ltd. (Japan) | Cat.# TOCP-7303~04 | Released: 1992-07-29

Julie London (born Nancy Gayle Peck; September 26, 1926 – October 18, 2000) was an American singer and actress, whose career spanned more than 40 years. Born in Santa Rosa, California to Vaudevillian parents, London was discovered while working as an elevator operator in downtown Los Angeles, and began her career as an actress. London's 35-year acting career began in film in 1944, and included roles as the female lead in numerous Westerns, co-starring with Rock Hudson in The Fat Man (1951), with Robert Taylor and John Cassavetes in Saddle the Wind (1958), and opposite Robert Mitchum in The Wonderful Country (1959). In the mid-1950s, she signed a recording contract with the newly established Liberty Records, and released a total of 32 albums of pop and jazz standards during the 1950s and 1960s, with her signature song being "Cry Me a River", which she introduced in 1955.
Augustin Dumay, Jean-Philippe Collard - Franck, Magnard: Sonates pour violon et piano (1989)

Augustin Dumay, Jean-Philippe Collard - Franck, Magnard: Sonates pour violon et piano (1989)
EAC | FLAC (image+.cue, log) | Covers Included | 01:13:37 | 287 MB
Genre: Classical | Label: EMI Digital | Catalog: CDC 7498902

The first CD here is generously filled and contains a valuable novelty in the Magnard Violin Sonata, which may well tempt collectors already possessing a good version of the Franck. In the first movement of the latter, where the marking is Allegretto ben moderato, Augustin Dumay and Jean-Philippe Collard create a feeling of serenity at the start not only tonally but also by a tempo of about dotted crotchet = 48, but fine though the playing is, I think the ben moderato has been interpreted too freely here.
Frankfurt Radio Symphony Orchestra, Eliahu Inbal - Mahler: Symphony Nos. 9 & 10 Adagio (1987)

Frankfurt Radio Symphony Orchestra, Eliahu Inbal - Mahler: Symphony Nos. 9 & 10 Adagio (1987)
EAC | FLAC (image+.cue, log) | Covers Included | 103:55 | 551 MB
Genre: Classical | Label: Denon | Catalog: 5715662

Inbal and the Frankfurt Radio Symphony Orchestra are nearing completion of their Mahler cycle, which on the whole is highly distinguished. This two-disc set gives us the climactic Ninth Symphony, arguably the greatest work of its kind composed in this century, and the opening Adagio of the Tenth in the Erwin Ratz 1964 edition. Presumably Inbal rejects the Deryck Cooke performing version, which is an immense pity because judging from his incandescent interpretation of this first movement, he would have something special to tell us about it.
Frankfurt Radio Symphony Orchestra, Eliahu Inbal - Mahler: Symphony No. 7 (1987)

Frankfurt Radio Symphony Orchestra, Eliahu Inbal - Mahler: Symphony No. 7 (1987)
EAC | FLAC (image+.cue, log) | Covers Included | 79:29 | 445 MB
Genre: Classical | Label: Denon | Catalog: 60CO-1553

As a diehard Mahlerite, I have to say I thought I knew the Seventh fairly well, but Inbal manages to make this familiar (to me) work seem utterly new and strange while holding it firmly together (which too often isn't the case in performances of this problem-child of the Mahler family). And he does this without seeming to impose his personality on the music. This is the only Seventh on disc I know of that can match the Bernstein versions (Sony and DG). And it's better-recorded than either of them. Hey Denon–when are you going to reissue all of Inbal's Mahler recordings in a boxed set, as DG did for Bernstein? This is a missed opportunity.
Frans Brüggen, Netherlands Chamber Choir, Orchestra of the Eighteenth Century - Johann Sebastian Bach: Mass in B minor (1990)

Frans Brüggen, Netherlands Chamber Choir, Orchestra of the Eighteenth Century - Johann Sebastian Bach: Mass in B minor (1990)
EAC | FLAC | Image (Cue & Log) ~ 515 Mb | Total time: 104:28 | Scans included
Classical | Label: Philips | # 426 238-2 | Recorded: 1989

The b minor mass is truly one of the cultural pillars of Western civilization. Whether it is a complete patchwork or put together from pieces of a design (most musicologists suggest the latter), this music is- certainly metaphorically and possibly literally- divine! Franz Bruggen chooses to use tempos, not even matched by Gardiner.
Karl Böhm, Berliner Philharmoniker - Beethoven: Missa Solemnis; Reger: Mozart-Variationen (1997)

Karl Böhm, Berliner Philharmoniker - Beethoven: Missa Solemnis; Reger: Mozart-Variationen (1997)
EAC | FLAC | Image (Cue & Log) ~ 410 Mb | Total time: 49:06+67:23 | Scans included
Classical | Label: Deutsche Grammophon | # 449 737-2 | Recorded: 1955, 1956

In 1955 and at the peak of his postwar powers, Karl Böhm recorded Beethoven's Missa Solemnis with the Berlin Philharmonic with an all-star cast of soloists. It is a great and powerful performance: tightly argued, superbly played, fabulously sung, and very dramatic. Deutsche Grammophon's original mono recording was clear but a little distant, and the digital remastering keeps the clarity and brings the performers a little closer to the listener. In every way that matters, this is a great Missa Solemnis. The thing is, how many recordings of the Missa Solemnis does anyone want or need? There's Böhm's later 1974 with the Vienna Philharmonic, a deeper and more transcendent performance.
Jean-Philippe Collard, Augustin Dumay, Quatuor Muir - Chausson: Concerto en ré Majeur, Quatuor 'Inachevé' (1994)

Jean-Philippe Collard, Augustin Dumay, Quatuor Muir - Chausson: Concerto en ré Majeur, Quatuor 'Inachevé' (1994)
EAC | FLAC (image+.cue, log) | Covers Included | 01:05:35 | 332 MB
Genre: Classical | Label: EMI Digital | Catalog: 7475482

This is one of the greatest chamber CDs, bringing together Chausson's timeless Concert with his elusive String Quartet in the most beautiful, idiomatic performances imaginable. Augustin Dumay and Jean-Philippe Collard have never been bettered as a duo, but they particularly are in their element in this music, given its full expression by their passion and strength, which combines with a sense of style that is as natural as speech.
Nikolaus Harnoncourt, Wiener Symphoniker - Franz Joseph Haydn: Die Schöpfung (1996)

Nikolaus Harnoncourt, Wiener Symphoniker - Franz Joseph Haydn: Die Schöpfung (1996)
EAC | FLAC | Image (Cue & Log) ~ 496 Mb | Total time: 56:04+58:54 | Scans included
Classical | Label: Teldec | # 2292-42682-2 | Recorded: 1986

Haydn’s late masterpiece, The Creation/Die Schöpfung has always existed in two versions, one in English and one in German. Loosely based on Milton’s Paradise Lost version of the creation story, the libretto had actually been offered to Handel, who never got around to setting it. Johann Salomon, the impresario, passed it to Haydn in 1794. Haydn was interested but apparently did not feel confident enough in his English to set the work in its original format.
Christoph von Dohnányi, The Cleveland Orchestra - Antonín Dvořák: Symphonies 7 & 8 (1991)

Christoph von Dohnányi, The Cleveland Orchestra - Antonín Dvořák: Symphonies 7 & 8 (1991)
EAC | FLAC | Image (Cue & Log) ~ 353 Mb | Total time: 73:09 | Scans included
Classical | Label: Decca | # 430 728-2 | Recorded: 1984, 1985

This orchestra learned to play these symphonies under the legendary George Szell, whose Sony recordings have been reissued on CD and remain a prime recommendation in this music. For those seeking digital sound, however, these new versions are very distinguished, combining the Cleveland Orchestra's customary superb ensemble with a warmth and urgency of expression usually in short supply from this conductor. At mid-price, this is an excellent recommendation.