Enigma Japan

Voyageur is the fifth studio album by the German musical project Enigma and released in 2003. Voyageur was considered to be Enigma's most different album ever created, due to Enigma's drastic changes in sound as compared to the previous four albums. The project's signature shakuhachi flutes, Gregorian chants and tribal chants found on the earlier albums were all but gone on Voyageur.

MCMXC a.D. ("1990" in Roman numerals followed by an abbreviation of Anno Domini) is the first studio album of the German music project Enigma, headed by Romanian-German musician Michael Cretu, released on 10 December 1990 on Virgin Records in the UK.

A Posteriori is the sixth studio album by German musical project Enigma. In December 2006, the album was nominated in the Best New Age Album category in the 2007 Grammy Awards. Three years after the release of Voyageur, an album that took Enigma in a new direction, Michael Cretu took another step and released A Posteriori. This latin title is often used in philosophy where it describes what is essentially knowledge through experience (e.g. "after the fact"). In style the release shares more with Voyageur than the four first Enigma albums, but it has taken the approach of this new direction even further. The album introduces sort of a hybrid culture that lends itself to many different directions, but still revolves around a common point in a more straight-forward manner than before.

THE CROSS OF CHANGES (ENIGMA 2) is the second studio album by the German musical project Enigma, headed by Romanian-German musician and producer Michael Cretu. The Cross Of Changes is a musical step forward but it nevertheless incorporates all of the instinctive elements that MCMXC a.D. does but in a completely new guise.

The Screen Behind The Mirror released as the fourth album in the Enigma line. It brought the project to what would become a maturity of the "first age" in the saga, being the last album to use the old Enigma style where fresh ideas infused with mystery, philosophy, and sensuality were extensively coupled with samples from other and older works. In the case of The Screen Behind The Mirror this was done with Carl Orff's famous Carmina Burana, most specifically O Fortuna, a movement lamenting the woes of fortune. Especially Gravity of Love and Camera Obscura makes use of it.