Eric Whitaker Contrast

Shuffling Ivories may not win any prizes for innovation, but it provides a tuneful hour of accomplished piano and bass playing and insights into the less visible byways of jazz piano.
The title is a play on Shuffle Along, Eubie Blake’s 1921 Broaday musical, written in partnership with Noble Sissle, and with Blake as a starting point this piano and bass album offers a wide-ranging tribute to various styles of ivory-tickling, shuffling them to some extent as it goes.
The first and title track is a traditional swinging blues with Monkish moments, written by Magris. I’ve Found a New Baby is a lively conversational treatment of the standard in which bass and piano create spontaneous counterpoint before coalescing in unadulterated swing for the end…

Friends is the accurate and revealing title for New York bluesman Eric Bibb's tenth album since 1997. There are 15 cuts here, each of them featuring rootsy folk and blues collaborations with different "friends" in differing small group settings. The set starts with a killer acoustic slide duet between Bibb and Guy Davis on the nugget "99 ½ Won't Do." The contrast between Davis' sweet and smoky delivery and Bibb's husky wail – akin to Blind Willie Johnson's in places – offers a double-sided dimension in interpretation for the listener, as well. Elsewhere, Charlie Musselwhite gives a killer snaky harmonica performance on "Six O' Clock Blues." Taj Mahal makes two appearances; one in a duet on "Goin' Down Slow," and one in a trio with Bibb and Malian guitarist Djelimady Tounkara on a medley of the traditional "Kulanjan" and Bibb's own "Sebastian's Tune."

Eric Clapton recorded The Road to Escondido, a collaborative effort with his laconic idol J.J. Cale, in 2006 but the pair didn't play supporting concerts due to Cale's aversion of touring. He wound up showing up for one show: a date near his home in San Diego, playing five songs on March 15, 2007 at the iPayOne Center. That guest set forms the heart of 2016's Live in San Diego, a double-disc live album released three years after Cale's death…

Founding Happy The Man members Frank Wyatt and Stan Whitaker take you on a musical journey through explosive progressive rock sagas, acoustic instrumentals, avant-garde jazz, and symphonic soundscapes. Influences range, quotingly, from Gentle Giant to Pink Floyd, King Crimson to Procol Harum, Mahavishnu Orchestra to R. Towner, plus solid Canterbury classics (Gong, Egg, Soft Machine) or the Italian PFM.

The charismatic performances that distinguish Outrospection center on the 11 expressive compositions from Gregg Hill, an under-the-radar composer of imagination and emotional depth. Renowned bassist Rodney Whitaker first recognized Hill's music several years ago, and soon after they teamed up for the 2018 release, "Common Ground." Warmth and humanity resonate throughout the recording, grown out of their friendship, two men of disparate generations and backgrounds who found each other through the music. "We both know how to listen," Whitaker reflects. "Our common ground is the music. It's really the great neutralizer." The exceptional improvisors joining Whitaker are drawn primarily from the jazz faculty at Michigan State University, the program he has helmed for two decades…