Esoteric Japan 2009

Daevid Allen - N'Existe Pas! (1979) {Victor Japan ‎VICP-70079, Paper Sleeve, SHM-CD rel 2009}
EAC rip (secure mode) | FLAC (tracks)+CUE+LOG -> 303 Mb | MP3 @320 -> 110 Mb
Full Artwork @ 600 dpi (jpg) -> 73 Mb | 5% repair rar
© 1979, 2009 Victor Japan ‎| VICP-70079
Rock / Jazz / Art Rock / Canterbury Scene / Neo-Psychedelia

On this album, Daevid Allen's follows in a similar vein to the pattern he set on the previous 'Now is the Happiest Time of Your Life', although with a bit less emphasis on acoustic guitar songs, and with more glissando, improv poetry, and free-jazz tracks. This album will be enjoyable for true fans, but is too fragmented and esoteric a collection to act as a good introduction to his music.

Tony McPhee - The Two Sides Of Tony (T.S.) McPhee (1973) {Air Mail Archive Japan AIRAC-1072, Cardboard Sleeve rel 2004}
EAC rip (secure mode) | FLAC (tracks)+CUE+LOG -> 232 Mb | MP3 @320 -> 92 Mb
Full Artwork @ 600 dpi (jpg) -> 53 Mb | 5% repair rar
© 1973, 2004 WWA Records / Air Mail Archive Japan | AIRAC-1072
Rock / Blues Rock / Psychedelic Rock

Aptly titled, Two Sides of Tony McPhee not only explores McPhee's conceptions about love, relationships, religion, and aging, but the album is divided up musically, showcasing his talent as both a guitarist and a keyboard player. After displaying his keenness for composing a concept album with Split, a piece that he recorded with his band the Groundhogs based on the complexities of schizophrenia, McPhee decided to record an album that was more exclusive and personal. The result was Two Sides of Tony McPhee, with McPhee playing an acoustic and electric guitar for the first four tracks, then switching to three different synthesizers and an electric piano for side two, a lengthy spoken poem entitled "The Hunt."

Open Spaces (1971). Esoteric Recordings are pleased to announce the release of Open Spaces by CMU, the band's debut album from 1971, this unique masterpiece is a much sought after collectors item originally released on the Transatlantic label. CMU (Contemporary Music Unit) were a unique fusion of Progressive rock, Jazz and Folk influences. In keeping with the mood of the times, Open Spaces touches a style that evokes the work of contemporaries Affinity or even Arthur Brown. In Larraine Odell, CMU had one of the few female vocalists of the Progressive era, a fine vocalist supported by a fine band…

A Grounding in Numbers is the eleventh studio album by the British rock group Van der Graaf Generator. It was released on 14 March 2011. This date, if written as 3,14, comprises the first three digits of the number π. The second track, "Mathematics", refers to Euler's identity, sometimes known as the mathematical poem. The album's release signals a continuation in the direction set by the current trio lineup, but it is released on a new label, Esoteric Recordings, a departure from previous releases on Virgin/Charisma. Hugh Padgham is the mixer of the album.

For the 100th and final instalment of the iconic FABRICLIVE mix CD series, in its current form, two UK pioneers unite for a hypnotic 74-minute mix. Burial and Kode9 are each credited with fostering esoteric, hyperlocal sounds and steering them to global recognition, helping to shape the landscape of contemporary electronic music as we know it. They are also close peers, having influenced each other’s careers immeasurably over many years.