Essential Blues is an attempt to trace the evolution of the music from the Mississippi Delta to Chicago and other modern, urban cities. It does a fairly good job in providing a brief history, but the main strength of the collection simply comes from the music. Featuring cuts from Lightnin' Hopkins, Howlin' Wolf, B.B. King, Slim Harpo, Junior Parker, Elmore James, Albert Collins, and many, many others, it's a quick and effective way to sample a variety of different blues styles. For neophytes, Essential Blues does offer a splendid introduction to the genre.
Fifteen tracks covering the pioneering blues-rock guitarist's '60s work, which was by far his best and most influential. Bloomfield worked with a bunch of bands during the decade, and the compilation flits rather hurriedly from his contributions to the Paul Butterfield Blues Band and Electric Flag, to his collaborations with Al Kooper, as well as some late-'60s solo tracks (none of his groundbreaking mid-'60s work with Dylan is here). Collectors will be interested in the first five songs, which date from previously unreleased sessions produced by John Hammond in late 1964 and early 1965. Featuring Charlie Musselwhite on harmonica, this pre-Butterfield Blues Band outfit plays convincingly, but the material is standard-issue, and Bloomfield's vocals are thin and weak (they didn't improve much over time)…
Singer/Guitarist Brownie McGhee and his life-long musical partner, blind harp-man, Sonny Terry are best known as champions of the "Piedmont"-style blues pioneered by artists such as Blind Blake, Blind Willie McTell and Blind Boy Fuller. In the 1960s, they became icons of the folk-blues revival. The recording presented here however showcase a different chapter of the story. This is a collection of raw and rocking jump blues cut between 1947 and 1955 for juke boxes in black beer joints and dancehalls by the New Jersey-based Savoy Record company. Essential blues recordings from two of the genres' most revered artists.
Outstanding 5th studio disc by this awesome blues/rock guitar axeslinger from Indiana. Featuring 12 tracks of top-shelf, world-class, powerful, dynamic, ass-kickin', blues-based guitar rock excellence that lands down hard between a rock and a blues place. Combining strong songs and amazing musicianship, complete with an excellent sonic production, it all adds up to create an incredible, sophisticated, memorable blues/rock guitar experience. Jay Jesse Johnson is a true modern day guitar hero whose bad-ass six string playing skills are through the jam:house roof. Combining amazing technique with feel, killer tones to die for and drawing from excellent vintage musical influences/inspirations, Triple J has created his own stand-out voice on the instrument.